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I saw her at the Opera House this week and the handography alone. I was taking notes.

She really came correct with this whole project. From the styling to the sonic landscape the entire era was tight. She’s criminally under-appreciated. I want to see what she can do with a label that isn’t deeply homophobic and an actual budget. Manifesting it for her.

Justice for Houdini!!!

EU/UK only?! Don’t forget where your design award winning, wanky little abode where you live is located Ms Sivan!!

It’s only been out two weeks but it feels like one of the defining songs of the year to me. It’s bold, frenetic and propulsive and the extended mix is going to be the definitive version. I can feel it in my bones.

One of her best! A slinky, sexy slice of purposeful pop!!

Jack Harlow is essentially the white and, incredibly, more mediocre version of Flo Rida. An inessential vessel for hooks to ride to #1 and make people a lot of money in the process.

I think we’re all bad, old gays.

They hated @Monkey Meat because they told the truth.

The venom online for Ms McRib is truly astounding. I was looking through Twitter earlier and it’s getting weird y’all. Popstar scores hit with label backing so she must be an ‘industry plant’? Popstar refines sound / image and achieves a breakthrough so clearly is manufactured? The geriatric...

I’m sorry but the delusion. Jennifer Lopez is the definition of an unlikeable ‘diva’. This notion that she’s somehow a relatable every-woman now because she appeared on a talent show as a judge? Please. What does she have in common with Sharon down at Tesco? Nothing. She probably doesn’t even...

“Our new single, ‘Our Single Is Dropping’, is not dropping”

Every single press shot for this reunion tour is giving Beautiful Because I Use Nivea and it is sending me.

The energy in this thread:

If I were in-charge of the Spanish tax agency’s social media accounts (which I am repeatedly told I am not) I would definitely be posting about who ‘El Jefe’ is now. Rub it in! Make it hurt! Get that engagement!

I am lowkey vibing her after the fantastic one-two of ‘Greedy’ into ‘Exes’, but something about her general aura screams ‘high school bully’. I just know that she’s caused permanent psychological damage to at least one girl in math class. It’s kinda giving though, so I guess I’m sold. Bully us...

There’s something darkly poetic in most of her throwaway mid-era singles hitting the #1 spot while her infinitely superior, era defining, album megabops get relegated to #2. Very Kylie coded of her!