Introducing our next cut is me!... but also
Kele Okereke, English musician best known as the lead singer and rhythm guitarist of the indie rock band Bloc Party. He's the first gay POC musician to find both critical and commercial success in a musical genre usually reserved for straight white men. The single "
I Still Remember" and the whole Intimacy album contain references to his past lovers. He also injected a good dose of electro-pop in his band's music, making the indie crowd lowkey mad.
Icon.
Lower the tone so I can love you more
The lower you go, the more I am yours
'Cause your dark side is beautiful
Yeah, your dark side is beautiful to me
GOOD LORD
What can I say? I'm fucking glad this little masterpiece reached the 8 mark AND the top20 despite some
horrifying taste being displayed during this rate (I mean, look at those two lowest scores. Sad!). I could say I'm mad this didn't reach the top10, but being totally honest this went much further than I thought it could, lost in the sea of the extras.
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British singer Rae Morris has released two very solid albums so far. We love her. We also love her because she's pretty open about sexuality and gender fluidity. Here are the most interesting lines about her 2017 Gay Times interview
In 2015, you mentioned you had a relationship with a woman when you were younger. What has your journey of self-discovery been like?
It’s been an interesting journey. In my first album Unguarded, there was a lot of that feeling and emotion in it. I felt really young and exposed because I’d spoken about relationships a lot in the music. I enjoyed speaking about sexuality because my younger fans can know my story. I had a really intense and slightly difficult relationship that I wrote about, a lot. She happened to be a woman.
I think of myself as being quite fluid and I fall in love with who I fall in love with. I was still writing about the experience at the beginning of this album cycle. When you have a very deep relationship, it stays with you. It’s definitely something I’m still working with and putting it into my music.
Is there a particular song of yours you would recommend listening to for someone struggling with their sexuality or who is thinking about coming out?
The whole of my first album is about that experience, but the title track Unguarded is particularly emotional and would be fitting for that situation. There’s a lyric that says ‘colour me in any colour that you want’ and that could be referring to people putting a stamp on you for your sexuality. The idea of being coloured in seems really appropriate to me, I change and adapt and move in different ways. I think for people who are exploring gender and sexuality they could relate to that.
Well put, Rae, well put.
Lower The Tone appears on Rae's second album and was co-written and co-produced with Benjamin Garrett, better known by his stage name Fryars, an English art pop musician from London. He was previously featured on
Cold, from her debut album Unguarded.
Let's see what Miss Morris had to say about the song:
When the moment came to go back into the studio, it felt really obvious that Fryars and I hadn’t really ever spent a lot of time together writing. It was always a quick session here or there, and on the first album we did two tracks but we never had a long period of time to actually be in the same space and see what could actually happen if we really put our heads together. The first six months, we really started to change a little bit from our friendship that was really secure – because we’d known each other for, say, five years – and it started to change to a different kind of atmosphere and we became really close. This song is definitely the one that really captures the energy and the feelings that were in the room, present, as we were writing the songs. It’s a song about intimacy and closeness, and at the time I think that’s something I wasn’t really that great at. Almost as we were talking it through and having those conversations, we really broke down barriers and created something from the awkwardness of writing about intimacy.
Translation: she was really fancying a shag. But she's an artist, so she made
poetry out of it.
Now I'm sure I've read/saw her talking about what happened after the *ahem*
event narrated in the song, but I cannot for the life of me find anything about it. In short, she joked about how you should not fall in love with your co-writers (and also made it clear that yes, they actually had some tender sex and they were in a relationship for a bitsy. Aw.
Get that d Rae.)
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As you all know by this point, I'm very hard to please when it comes to music. In fact, I don't even consider Someone Out There a modern classic as some members and publications do. But Miss Morris really wanted to shut me up a bit and so she made two songs that slapped me
so hard I still have scars on my butt cheeks. These two songs are
Rose Garden and
Lower The Tone. Two modern electro-indie-pop masterpieces. Yes they are. Those of you who follow me on Instagram
(taste!) know that Rose Garden was my #1 song of 2018. But Miss Morris was not happy enough, so she slapped me harder, till I included Lower The Tone at #4. She did
that. Not the slapping. That was a metaphor.
But let's analyse together
why this lil song is
my an 11 shall we.
The music
At first glance this is a low-key affair, a sweet vocoder-aided vocal that makes you feel like Rae is a robot talking to you ear. Mind you last time somebody did this we got Hide And Seek, an alt-gay staple. But, but, what is happening? Something is moving under the surface. The tone is
not getting lower, we hear this tiny percussions growing louder, a
wild robotic whistle appears. Oh my GOD WHAT IS THA...
At the 2:23 mark, the song
explodes. It's the sound of a little dark room being blown up to reveal the landscape once hiding behind those window-less walls. How can anybody dislike this?
We just don't know. From this point on, there's a symphony of bleep blops, multi-tracked vocals and my wig heading to Mars. It's all a bit Enya-on-steroids. I do love Enya.
Please appreciate my extremely technical music vocabulary thank you.
The lyrics
I usually don't care that much about lyrics. Yeah_I_Said_It.mp3. But Miss Rae wanted to punch me in the stomach with those lyrics, so she did. As you may have noticed, the song is basically two songs rolled in one. The first half is about
intimacy <3. The second half about
wild sex. Let me be honest with you all for a hot minute: I'm in a phase of my life when I desperately need
both.
*Hides in a corner and cries*
Before we reach the commentary, let me highlight a couple of lyrics from each section.
Shower me with kisses
The way your breath against my skin makes the hairs on the back of my neck stand tall
Feel like I've not felt before now
OMG <3
Lower the tone so I can love you more (To me, you are an animal)
The lower you go, the more I am yours (Sensitive and wonderful)
OMG
This song is my 11 even if I
cannot relate to it in the slightest. Imagine when I will be able to. Imagine. 12/10.
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But let's see what you, the voters, had to say about this little masterpiece. Maybe it's a good thing those devoid of taste didn't comment on this, as I would have dragged them a bitsy.
@pop3blow2: One of the best on Somewhere Out There.
Yes, precisely the second best of the album.
@constantino: I’m still shook at mousey little Rae Morris pulling a Jewel and straight-up SNAPPING like this. What a brilliant slice of sapphic pop this is.
I admit my knowledge of Jewel doesn't go beyond that pop album and Hands, but if she put out songs like this please make me a playlist and call me a Little Diamond (Marina has officially disowned me).
@ufint: First time I heard this was four or five months ago, 3:30 in the morning coming home after a few glasses of wine too many. I was unfamiliar with the work of lady Morris, and thought it seemed good. HOWEVER, 2 and a half minutes in to the song, this is ORGASMICALLY BEAUTIFUL. I was so blown away I sobered up almost immediately and listened to it ten times in a row. I can’t remember the last time that happened.
This made me emotional. The taste on display, far too much.
@CorgiCorgiCorgi: I prefer Do It or Reborn, but this is still a solid tune.
Looks like we found a plink plonk music lover uh.
@The Hot Rock: This felt like it was picking up for me but then it stopped and ended. I liked it a bit.
If you didn't feel anything at the pure explosion at the 2.23 mark, do you even enjoy living music?
@KingBruno: This reminds me of Bon Iver’s work; genuine passion with just a vocoder and sporadic electronic components.
I know zero songs by Mr. Iver but he sounds like an alt-gay icon so I might try it.
@kalonite: Underappreciated gem from an underappreciated album.
Louder for the people down the back.
@Reboot: Very good. This song sounds like the soundtrack to a faraway place. That ending gives me goosebumps every time.
That faraway place is actually the location of my wig as I'm listening to the song while I'm writing the commentary.
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My job here is done, ladies and gents and queers. This was my first ever elimination post. The site deleted the draft twice. I'm exhausted already. Now go listen to this song and Rose Garden and make me happy. Also Rose Garden.
Please