And somehow both the drama and comedy series races are a lot stronger overall this year. Comedy in particular is looking absolutely stacked, between hot newcomers like Abbott Elementary and Only Murders in the Building to past Emmy favorites like Barry, Marvelous Mrs Maisel and Ted Lasso. It's so jampacked several past contenders - What We Do In The Shadows, Blackish, Pen15, Insecure, The Flight Attendant - might miss a nomination altogether (Emily In Paris most definitely will dd).
I hope they are still able to recognize some more under the radar shows like The Great, The Other Two, Somebody Somewhere and Better Things but I'm not holding my breath - Pen15 sneaking into the race last year felt like such a COVID times anomaly. On the drama side of things I'm crossing all my fingers and toes for Rhea Seehorn who's been doing such a tremendous job on Better Call Saul and it's an embarrassment on the academy that they've failed to recognize her so far. I don't think the drama side overall is as strong as comedy, but Severance and Yellowjackets would be really deserving contenders, alongside Saul and Succession. And I don't know what the Kings have done to piss off the academy to get their shows shut out every year since The Good Wife, but both The Good Fight and Evil would be at the top of my "best shows on TV" list any given week.
The limited series race isn't quite as much of a blood bath as last year, but my ideal line-up would be The Dropout, Station Eleven, The White Lotus, The Staircase and Maid. I didn't care for Dopesick much and found Inventing Anna actively terrible, but I know the former is probably going to get a bunch of noms. It would be nice if Gaslit, The Girl from Plainville and Under The Banner of Heaven were also recognized, but I think they are much more likely to happen in the acting categories. I'm especially really rooting for Julia Roberts in the lead actress race, her work on Gaslit was a career-best - kind of similar to Winslet on Mare of Easttown last year.