Alt Pop 2020 Rate | WINNER REVEALED

He/Him
Back to another extra!










How you move
How you knew
Your ever beating heart
Nothing seems so far




42
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HIGH
10 (@Oleander @Cotton Park @BubblegumBoy @sfmartin @soratami), 9.5 (@TéléDex @Candy Perfume Girl)
LOW 6 (@CorgiCorgiCorgi @Phonetics Girl), 6.5 (@slaybellz @Jonathan27 @2014)

Purity Ring, the Canadian duo of Megan James and Corin Roddick, have been making waves since their eclectic 2012 debut Shrines, mixing often reflective synthpop with visceral lyrics (sometimes literal, with references to ribs, blood, etc.), hip hop and trap influences. Fineshrine and Obedear are still faves of mine. 2015's Another Eternity received a more muted response in comparison, and then the pair went onto touring, co-production for Katy Perry's infamous Witness album, and releasing a couple singles here and there. Until their proper comeback with stardew.

The track encapsulates the sleek productions that run aplenty in their songs, yet there's also other eclectic elements coming together like the music box that plays during the intro. Later, that thumping synth procides a great beat to their musings on the heights of a long-distance love that has you seeing stars and shimmering in sweat one moment but bleeding and blooming when you're alone again. The outro is a fitting moment of reassurance of a reciprocating trust with the lyrics "I know it seems far / But just be where you are". Although according to the band, you can also see the track as being about birth, which connects to the parent album's title WOMB.

@BubblegumBoy (10) is happy about this return to form for the band: "WOMB was one of my favourite albums from 2020, it got me through some dark times. The production is sublime. So glad it's included here". I'll admit I haven't given the album a chance, only listening to this and sinew so far, but I will do! @Ana Raquel (8) however, is holding a grudge: "Dreamcatcher should have won pjsc (#not #bitter)". Oh girl I barely keep up enough with PJSC to the point you'll catch me novoting and losing out on great placements (see 119) to know the context of stardew beating out my fav metal gals?? But please do tell! Meanwhile, @godspeed (7) can get behind this elimination: "Not a fan of Purity Ring but this is surprisingly good". But Shrines is sooo good!

@Trouble in Paradise (8) is here to collect the duo's shtick: "I’m sorry but Purity Ring has always given me B Tier Beach House which may be very unfair but feels very accurate here. Both the production and vocals are just that little bit more polished and expected. It’s a vibe, I’m enjoying it and separate from my weird take, it’s a nice lil pop song even if its not inventing anything new!". Ddd you really have a way with words when dragging Canadians! The track received a CGI-enhanced video featuring womb imagery, a skeleton couple seemingly in a post-nuclear war setting, and an iconic two-person bicycle teaveling band of an angel and a sunchild venturing through the lakeside. I like the comment that points out how even though the sun's face is creepy, they are probably chill. I love the particle effect of the animated characters too, it reminds me of Björk's Hollow video emulating the motion of cytoskeletal proteins, but on a human scale.





No top 40 but rather a top 39 –our next pair of songs are tied!
 
Back to another extra!










How you move
How you knew
Your ever beating heart
Nothing seems so far




42
dUpAtIA.gif

SdupbYl.png


HIGH
10 (@Oleander @Cotton Park @BubblegumBoy @sfmartin @soratami), 9.5 (@TéléDex @Candy Perfume Girl)
LOW 6 (@CorgiCorgiCorgi @Phonetics Girl), 6.5 (@slaybellz @Jonathan27 @2014)

Purity Ring, the Canadian duo of Megan James and Corin Roddick, have been making waves since their eclectic 2012 debut Shrines, mixing often reflective synthpop with visceral lyrics (sometimes literal, with references to ribs, blood, etc.), hip hop and trap influences. Fineshrine and Obedear are still faves of mine. 2015's Another Eternity received a more muted response in comparison, and then the pair went onto touring, co-production for Katy Perry's infamous Witness album, and releasing a couple singles here and there. Until their proper comeback with stardew.

The track encapsulates the sleek productions that run aplenty in their songs, yet there's also other eclectic elements coming together like the music box that plays during the intro. Later, that thumping synth procides a great beat to their musings on the heights of a long-distance love that has you seeing stars and shimmering in sweat one moment but bleeding and blooming when you're alone again. The outro is a fitting moment of reassurance of a reciprocating trust with the lyrics "I know it seems far / But just be where you are". Although according to the band, you can also see the track as being about birth, which connects to the parent album's title WOMB.

@BubblegumBoy (10) is happy about this return to form for the band: "WOMB was one of my favourite albums from 2020, it got me through some dark times. The production is sublime. So glad it's included here". I'll admit I haven't given the album a chance, only listening to this and sinew so far, but I will do! @Ana Raquel (8) however, is holding a grudge: "Dreamcatcher should have won pjsc (#not #bitter)". Oh girl I barely keep up enough with PJSC to the point you'll catch me novoting and losing out on great placements (see 119) to know the context of stardew beating out my fav metal gals?? But please do tell! Meanwhile, @godspeed (7) can get behind this elimination: "Not a fan of Purity Ring but this is surprisingly good". But Shrines is sooo good!

@Trouble in Paradise (8) is here to collect the duo's shtick: "I’m sorry but Purity Ring has always given me B Tier Beach House which may be very unfair but feels very accurate here. Both the production and vocals are just that little bit more polished and expected. It’s a vibe, I’m enjoying it and separate from my weird take, it’s a nice lil pop song even if its not inventing anything new!". Ddd you really have a way with words when dragging Canadians! The track received a CGI-enhanced video featuring womb imagery, a skeleton couple seemingly in a post-nuclear war setting, and an iconic two-person bicycle teaveling band of an angel and a sunchild venturing through the lakeside. I like the comment that points out how even though the sun's face is creepy, they are probably chill. I love the particle effect of the animated characters too, it reminds me of Björk's Hollow video emulating the motion of cytoskeletal proteins, but on a human scale.





No top 40 but rather a top 39 –our next pair of songs are tied!

I chuckled aloud on the accuracy of your read! With Canadians I am either all in or all out! They inspire passion!
 
He/Him
Hey, hi, sorry for the radio silence for a bit, but we're back to our regular programming plus a pending double elimination. Let's get to it!

It's time to chop a song that includes an hour in its title, but who could it be?






























3 AM or 4ÆM?






























He says "How's the weather baby?
How've you been?"
You're gonna get sick
You don't know when




40 (I)
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HIGH
10 (@Cotton Park @sfmartin @2014), 9.5 (@BubblegumBoy @TéléDex @slaybellz)
LOW 4 (@Trouble in Paradise @godspeed @Phonetics Girl), 7 (@Attis @Ana Raquel @CorgiCorgiCorgil)

Oh, it's time for the one, not dark at all at face value, drum 'n' bass megabop at the navel of Miss Anthropocene's cyber goddess body. Oh wait, this does have the lyric "You're gonna get sick / You don't know when / They never doubt it / 4ÆM" which is untimely considering the pandemic that would go viral worldwide just after this dropped. To be fair though, the files had probably been sitting for as many as 2 years on her grubby hard drive, given that she first teased it on June 2018. The song is largely made up of a refrain with Grimes really taking it into her fairy-like high register, completely unintelligible vocals that immediately transports me to her Halfaxa days, were that pitch soundtracked some of my favorite and least favorite Grimes songs ever ddd. The range, literally.

@godspeed (4) leads us up to a notable influence: "I really liked this song when it first came out. But once you get past the initial thrill of the surprising production and that kind of Indian influence on the verses, there’s just not much to it". Right on, as it samples Diwani Mastani, a song featured in a choreography scene of the 2015 Bollywood blockbuster and historical drama Bajirao Mastani, with a star-studded cast including Deepika Padukone and Priyanka Chopra. Being no stranger to using a hindi music sample in the past to create a moody track, this time her goal was to fuse the traditional and the futuristic into a sci-fi fantasy like she often does, hence the d'n'b chorus paired with prophetic lyrics and those borrowed chants in the subsequent breakdwon. It makes for a combination that simply goes HARD and it's difficult for me not to stan. It's caffeine directly on the bloodstream. However, @Trouble in Paradise (4) would rather have his audio form of coffee, tea, or Monster sourced ethically: "This happened. A solid 5 minus a point for Grimes being a net-negative to the world".

It might be an uncomplicated song with bonkers production, but @Cotton Park (10) mainly recalls energy drink-fueled all-nighters: "One of the most aptly-named songs I can think of". On their end, @sfmartin (10) calls up the name of a controversial legendary techno act: "A trippy electronic landscape. A mix of shades of Bollywood and early Prodigy that you didn't know you needed until the very moment you heard this hedonsitic blend". Ooh I like how you put it by describing it as hedonistic, especially when put against the majority of her tracks here. The song received no video, but was performed at some event called The Game Awards, which I never watched, but if memory serves me right, Grimes doesn't even appear but rather her band from that one cyberpunk game in a screen? What kinda NFT fiasco? Oh and full disclosure, I think Elon Musk appeared at some point in that ceremony, so content warning in case you choose to watch and he pops up there.


 
He/Him
Back to another one of my 10s!











Haim or Charli seeing as I took over ha rate
Ding ding ding!









My heart rate rises higher, higher up
I wish you'd get here, kiss my face
Instead, you're somewhere far away
My nervous energy will stay




40 (II)
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HIGH
10 (@Cotton Park @Oleander @klow @Dijah. and Yours Truly), 9 (@2014 @TéléDex @Hurricane Drunk)
LOW 5 (@Trouble in Paradise), 5.5 (@Attis @Phonetics Girl)

Now this is a song quite a bit of history, spanning three Charli eras and cross-referencing a completely separate party track: the unreleased XCX World's Come to My Party, of course, which was the highest-rated album scrap two Charli discography rates ago. All of this because party 4 u was originally teased in the time of mixtapes, played in live sets before the release of Pop 2, but not making the final tracklist there and then subsequently teased in the typical DJ rotation of that album's afterparties. It seemed apt that, with an artist with such a massive unreleased leaked catalogue as Charli, that the prospect of her lockdown album was what took to get this reworked with a new verse and released. And oh was it successful, wasn't it, @Cotton Park (10)?: "This song. I can't even". You're speechless, I get why.

This represents the culmination of the conflicting pent up energy and isolation of the time period, which is funny that she could create that vision here because it's a song about Charli's ex Mike Kerr, as evidenced by the birthdate mentioned. But to me that being the initial reasoning is hardly important, as the song became grander with the longing of parties themselves, of touring, of being in front of a big audience (the ending is lifted from her 2019 Brixton Academy show), and of friends that we couldn't see for a long while. All of which is donw through the buildup of beats, synths, bass and melodies culminating in that super extended outro dissolving into a sea of party on you's. Of course, it's easy to read parallels with Track 10, as the two of them can be seen as era-closers reworked a little or quite away from their bases. But rather than being a negative, I only see it as a testament to Charli's growing ability, love and care for a grand finale moment that comes through. Plus the fact party 4 u is way more restrained in its journey fits the DIY sonic palette of how i'm feeling now like a silky glove.

@Trouble in Paradise (5) will forever be a grinch when it comes to my autotuned repetitive fave: "This is one of those Charli XCX tracks that reminds me why I can’t stan. The production here is top notch, 11 worthy if you’re the type of listener whose more about melodies and production BUT I am not that person. I’m a huge lyric listener, its my terrible nonstop thinking brain’s fault. And having Charli repeat “party on you” ad nauseum is more than I can stand. I’d love to be able to listen again and again but I don’t think I’ll ever play this song again". Well, love, that will be more for the rest of us so thank you! The song was performed during her set for Mexico City's Corona Capital last year, which I didn't go to ":(". Let's enjoy below!


 
He/Him
Top 40... or 39

Miss-Anthropocene.png

Delete Forever
Violence
My Name is Dark
We Appreciate Power

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Dynasty
XS
STFU!
Comme Des Garçons (Like the Boys)
Love Me 4 Me
Bad Friend
Who's Gonna Save U Now?
Tokyo Love Hotel

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forever
claws
detonate
enemy
visions

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Kyoto
Chinese Satellite
I Know the End

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The Steps
I Know Alone
Up from a Dream
Gasoline
3 AM
Now I'm in It

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People, I've been sad
Je disparais dans tes bras / I disappear in your arms
La vita nuova

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The Aces - Daydream
beabadoobee - Worth It
Chappell Roan - Pink Pony Club
Empress Of - Give Me Another Chance
Georgia - Never Let You Go
Javiera Mena - Corazón Astral
Soccer Mommy - circle the drain
Tayla Parx - Dance Alone
Tei Shi - Die 4 Ur Love
Yerin Baek - Lovegame​
 
He/Him
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Can't change what I feel
Never seen the future so real
But maybe I'm just fantasizing
Finally think I'm realizing




39
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HIGH
10 (@TéléDex @Remorque @Ana Raquel @Attis), 9.5 (@Candy Perfume Girl @Jonathan27)
LOW 4 (@Trouble in Paradise), 5 (@godspeed)

Now onto the actual closing track of how i'm feeling now. For me, it's proof that Ms. XCX is a relentless party legend first, and a popstar second. Because she rejected having an emotional farewell and instead dropped two of the best hymns as a closing duo. But don't get it twisted, as visions still has this introspective quality that stands out against other material; it feels as if we're hearing Charli's standing on her relationship at the time, which had quite a struggle before, during and still after the initial developments of the C word. But also abstractions about the future, her self-esteem, her slams, joys and frustrations with being an underrated popstar with, disproportionately, one of the most chaotic fanbases on the internet. She keeps it quite open to interpretation in the lyrics, but those points make sense for me when I think about what could she be having future visions and hopes during 2020. And it's all about the growth!

visions is great enough as it is for a good two and a hallf minutes, with a classic autotuned Charli gliding over a soundscape that builds up from synthy ambience and eurotrance-like moments that spirals into an iconic hardstyle, underground midnight, spilling all over outro that was honestly very refreshing to hear from her, and a sound that I think she never really explored again, making it all the more unique and cherished in her vast discog. All that said, it's @Trouble in Paradise (4) hour aka haterade hour: "This feels disappointingly basic for Charli". I fail to see how it's basic especially with that drop and switchup! @Ana Raquel (10), as can be expected, stans: "THE DROP IS SOOOOOOOOOOOOOOOOOOOO GOOD". It is!!! The future sounds so uncertain but so fun.





To be 3/3, the next and last cut is also related to that @2014 hint! Ñññ
 

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