BEYONCÉ - act i RENAISSANCE / upcoming act ii

RainOnFire

Staff member
This trip down memory lane is such a kii
After Dangerously In Love (“No Ashanti”) in 2003 came 2006’s B’Day (“By resolving the criticisms of her earlier work ... Beyoncé has weakened her perfect pop technique”). B’Day was followed by 2008’s I Am ... Sasha Fierce, by which time the Guardian was acknowledging Beyoncé as “the queen of R&B,” but also coming after her, arguing that “Halo” sounded too much like Rihanna’s “Umbrella.” 2011’s 4 came with an acknowledgment from Rolling Stone that Beyoncé was “the diva of divas,” as well as a warning from the Washington Post that she might have already hit her peak: The album, the critic wrote, smacked “of a once-great blockbuster movie franchise sadly spinning its wheels.”
"The Solo Beyoncé: She's No Ashanti"... iconic

B'Day "weakened her perfect pop technique"?! (Uh, uh, check my technique)

Claiming Halo sounded too much like Umbrella (???) before the Already Gone mess happened nn

And the best bit, 4 being referred to as a "once-great blockbuster movie franchise sadly spinning its wheels"
You thought!

229823-Black-And-White-Beyonce-Picture.jpg
 
he/him
This trip down memory lane is such a kii

"The Solo Beyoncé: She's No Ashanti"... iconic

B'Day "weakened her perfect pop technique"?! (Uh, uh, check my technique)

Claiming Halo sounded too much like Umbrella (???) before the Already Gone mess happened nn

And the best bit, 4 being referred to as a "once-great blockbuster movie franchise sadly spinning its wheels"
You thought!

229823-Black-And-White-Beyonce-Picture.jpg

Every one of these reviews being more appalling than the last
 

Solenciennes

Staff member
This trip down memory lane is such a kii

"The Solo Beyoncé: She's No Ashanti"... iconic

B'Day "weakened her perfect pop technique"?! (Uh, uh, check my technique)

Claiming Halo sounded too much like Umbrella (???) before the Already Gone mess happened nn

And the best bit, 4 being referred to as a "once-great blockbuster movie franchise sadly spinning its wheels"
You thought!

229823-Black-And-White-Beyonce-Picture.jpg

What a load of crap she had to overcome to get to where she is now... I know we all know that but I feel like the Beyoncé naysayers in 2022 are still attached to that kind of rubbishing of her talents because the media made these bonkers accusations to downplay her talents for the first decade of her solo career.
 
For me the reason the Ashanti comparison is so egregious is because there is a massive difference in technique and craft when it comes to vocal ability, dance, and live performance.

The reason that they could both exist in that same period is because they offered something different. And obviously there was enough room for them to both have massive eras. But it really can’t be understated that Beyonce was singing songs like Dangerously in Love with the most ridiculous vocal acrobatics, and rapidly improving as a dancer and live performer with Crazy in Love and Baby Boy. In contrast Ashanti was a brand new artist with her own girl from around the block appeal focused on the songwriting and vibe, but to compare her to Beyoncé at the time really shows me how little critics paid attention to Beyoncé’s skill, craft, and years of work with Destiny’s Child
 
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