I need that ending section of BITTERSUITE to go on for at least 3 minutes.I think the thing that I love about most these songs is that despite them all being a decent length, I feel they could go on for like another couple of minutes because I don’t want them end. The sonic landscape she and Finneas have created here is honestly art.
Skinny is the one where she "mumbles" the most, but there are quite a few big vocal lines too. And I think the way she sings it fits the subject matter.This has been the only thing that I've listened to these past few days. And it's just growing on me more and more.
The only song that I don't quite get yet is Skinny. She's mumbling a bit too much on that one.
Just one question. Is the album mastered quietly for anyone else? I actually kind of struggle to hear everything when I'm commuting or people are speaking in public places and yes I have noise cancelation on my headphones.
Impressively, they got the lyrics up on Spotify really fast, so just read those, folks!The need to understand every single word and syllable...
I was specifically referring to her voice which does most definitely sound like Harriet wheeler. I think the production sounds as much like any random blood orange song, but the part I’m specifically referencing sounds like the Sundays and I’m not the only person to say so here lol.It sounds like “Passionfruit” by Drake.
I want this SO bad and I just know she never will.I need her to do a purely electronic album that expands on some of the sounds explored here.