BLACK GIRL DEBUT MAGIC™ - WINNER

Which album will be crowned the best?


  • Total voters
    79
  • Poll closed .

Solenciennes

Staff member
A little disappointing but I expected it to go first, there's just no 'that song' on the album for people to latch onto. She's had an incredible career and put her name to some brilliant songs over the last decade+ and I'm glad some people were introduced to her through this rate at least.
 

Mr.Arroz

Staff member
he/him/his
there's just no 'that song' on the album for people to latch onto.





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Mr.Arroz

Staff member
he/him/his
And here's the first!









































#44






































































































desperado.jpg



Desperado


8.282



Highest score: 10 x 9 (@He, @1991, @Kuhleezi, @LE0Night, @Solenciennes, @soratami, @Remorque, @digitalkaiser, @constantino)
Lowest scores: 6 x 2 (@kermit_the_frog, @ufint)
5 x 1 (@A&E)
4 x 1 (@Trouble in Paradise)
My score: 9


Track background: Like many other tracks on the album, “Desperado”’s beat and hook are sourced from a completely different project - in this case, UK garage producer MJ Cole’s “Bandelero Desperado”, taken from his album Sincere (2006). “Desperado” was written by Kevin James, Harvey Mason Jr., MJ Cole (probably due to the track source) and Azealia herself. It’s BWET’s third track, and was formally known as “Lux N’ Plush”, which you can see on the original draft track listing for the album in 2013:

azealia-banks-broke-track-list1.jpg


Azealia’s "16 Days of Azealia" commentary is here:


My thoughts: WHEW. It’s crazy learning how, even past her earlier, DIY days, that Azealia would still employ a relatively unknown track to play to her strengths on one of her own projects. The way she can ride the beat is not only impressive and awe-inspiring, it’s fucking insane. I love this one.


Your thoughts:
@Bangers&Bops (9) - The song kicks off into a cascade of grime-y breakbeats and ghostly, mournful horns that I just live for. Also, Banks once tweeted that it's "the espresso jam. It's for the sophisticated caffeine drinker. For the commuter in all of you." I feel it.
@KingBruno (6.5) - At a certain moment I kinda lose it with this one.
@Kuhleezi (10) - Jazzy and noir, just as I like it. The drony section cascading into 'and dial again, and dial again, AND DIAL AGAIN...' and then picking up again may possibly be the best moment in the album
@He (10) - This is so cool and dark and moody. Another perfect track.
@ohnostalgia (9.5) - The haunting quasi-foghorn, the ghostly radio intro, the dropped call: enter bereftness stage left. Where is she? ... Where am I? #findazealia
@constantino (10) - A beast of a song. The textures are otherworldly. I see (or, rather, hear) a lot of parallels between the production on this track and UK producer Burial, which is unsurprising knowing it was produced by UK house heavyweight M. J. Cole
@Solenciennes (10) - That forlorn horn!!! Azealia’s flow is addictive, I love the clash of all these sounds and ideas, she’s just such a breath of fresh air.
@Remorque (10) - I fucking love the early 00s garage beat here. Pair that with Azealia's excellent flow and you've got a winner on all counts.
@Trouble in Paradise (4) - I don't like this.


Live performances:





(c’mon drums!)






The others are on their way. Ayyyyyyyeeeeeee.
 

Mr.Arroz

Staff member
he/him/his
That was part of a tie if you didn't already guess... so here's its counterpart









































#44






































































































12_turn_to_dust.jpg




Turn to Dust


8.282




Highest score: 10 x 9 (@Heaven on Earth, @Trouble in Paradise, @Kuhleezi, @LE0Night, @Solenciennes, @digitalkaiser, @paperboyfriendd, @Sanctuary, @Petty Mayonnaise)
Lowest scores: 5 x 1 (@happiestgirl)
4 x 1 (@theelusivechanteuse)
My score: 8.5


Track background: Produced by Arca and kwes., “Turn to Dust” was written as well by Arca, Kelela, Romy Croft, and Jam City. It comes near the end of Take Me Apart, as the album’s twelfth offering. See Kelela discuss the song herself here:





My thoughts: This one took me time, but it was the lyrics that really brought me in, as the production is minimal/sparse and in many places, takes a backseat to Kelela’s vocal and the various effects applied to it. It perfectly captures the hazy, almost soul-destroying power that a lover can have over it when you’re in too deep and need them to be as transparent and present as possible. Questioning whether the relationship is meant to be for more, or just for now… definitely been there before.


Your thoughts:
@TRAVVV (6.5) - While an amazing track, this is the one on the album I could do without. Maybe if the track listing/sequencing was different I’d appreciate it more.
@Bangers&Bops (9.5) - A song in which lays Kelela nearly bare; with simple backing and simpler lyrics still, she is able to absolute devastate. It's a true testament to her presence, and to the overall unique power at hand here.
@ohnostalgia (9) - That orchestral breakdown actually happened. Wow.
@constantino (9) - This hymn, though. I get chills whenever I hear it. This proves that Kelela is a voice as much as she is a compositional genius.
@Solenciennes (10) - I love how the music swirls around her voice, rushing out and in at will, and I’m a sucker for strings.
@Trouble in Paradise (10) - "Turn to Dust" cuts me to my core. Having a partner who can hold things in and internalize can be crushing, especially for us overly emotionally, overly talkative types. She captures how hard it can be to be upset when you're reflecting on how you feel like your being kept on the outside but then fall back into love when you're with them.


Live performances:
None yet, so here’s a random, yet good af remix



TpnukqF.gif
 
@Trouble in Paradise (10) - "Turn to Dust" cuts me to my core. Having a partner who can hold things in and internalize can be crushing, especially for us overly emotionally, overly talkative types. She captures how hard it can be to be upset when you're reflecting on how you feel like your being kept on the outside but then fall back into love when you're with them.
nvm all is forgiven @Trouble in Paradise x
 

Mr.Arroz

Staff member
he/him/his
Last one!









































#43






































































































246531496564350.png



Aquarius



8.295



Highest score: 10 x 8
(@AshleyKerwin, @happiestgirl, @soratami, @theelusivechanteuse, @TRAVVV, @paperboyfriendd, @Vitamin, @Sanctuary)
Lowest scores: 6 x 1 (@KingBruno)
5 x 2 (@Sprockrooster, @kermit_the_frog)
My score: 9


Track background:

From Genius:
According to astrologers, those born under the sign of Aquarius are clever, inventive, original and independent—all, coincidentally, traits that make for a talented recording artist. Here, rising R&B songstress Tinashe showcases her own Aquarian smarts and ingenuity on her official debut album.

Tinashe describes the track herself here:




My thoughts: This such a perfect opener - what a way to create an atmosphere for your LP, but also completely detail who you are as an artist, which was her goal, as mentioned in the above video. It’s moody, sexy, light, dark... literally so many things at once. For me, I always listen to it when I want a calm vibe around me. Honestly, a beautiful track.


Your thoughts:
@TRAVVV (10) - This beat. You can swim in it.
@paperboyfriendd (10) - I had only heard Tinashe singles before this rate and so I was fully scalped as soon as I pressed play. It’s one of my favourites of the entire rate and am slightly disappointed that I didn’t find the majority of the rest of Aquarius as stunning and as ethereal as this 4 minute little nugget of zodiac-based joy. From the absolutely stunning harmonies guiding practically the whole song , to the little shouty megaphone man in the background exclaiming that it’s “THE DAWN OF A NEW ERHAA” this song is just so fully realised and beautiful. A perfect introduction to not only the album, but also the enigma which is our good sis Tinashe.
@digitalkaiser (8) - I remember digging into this album for the first time and thinking to myself “Man this is some lush ass shit, who is this girl?” and man, what a joyride her career has been. (I can’t even make this joke without crying) I love them whispery vocals and little production tics.
@Bangers&Bops (7) - A spacey title track, aptly setting the tone for the whispery (in a good way kii) soul aesthetic that characterizes much of the album.
@KingBruno (6) - This is a typical opening song where you can’t really do much with.
@happiestgirl (10) - What a gorgeous, atmospheric opening. Love her ‘welcome to my world’ whisper at the end
@He (7.5) - Lush if a bit repetitive.
@AshleyKerwin (10) - A nice, sensual introduction to the album.
@ohnostalgia (9) - This is very soothing until you remember that the promised dawn of a new era never materialized.
@constantino (8) - What a sultry, luscious and enticing opener. I’m not often one for breathless vocals but boy does she SELL every second.
@Remorque (8) - I'm getting absolutely fucking EVERYTHING from this erotic tropical bop this Sunday morning.
@Solenciennes (8) - A nice vibey intro to the album that I don’t like nearly as much as most of the rest of the material but not bad by any means. Maybe I’m just salty that I don’t have a sultry soundtrack for my star sign.
@Trouble in Paradise (7) - This is a solid opener, very atmospheric but even after repeated listens all I hear is "Aquarius, Aquarius, Aquarius" over and over.


Live performances:

(Don’t think there are any, so enjoy some related visuals…)





See ya tomorrow, getting close to the top 40!
 
he/him
AQUARIUS IS LITERALLY THE BEST SONG ON THE ALBUM?

This is literally one of the best intros to an album in recent years:
Simmer down, know you’re angry
I can make, make it okay
I can tell, I'ma be your baby
Feel your stress melting away somehow
These hoes you know won't hold you down
Getting so hard to see the lights....


It's so moody and sets the stage for the album.
Some of y'all... need to find taste.
 

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