Wowwwwwwwwwww. K.
The song “Weekend” has an honestly genius idea of time-sharing a man. Where did that come from?
Time-sharing a man is real AF. If we’re all being honest there’s very few men that are just dating one woman. I think, low-key, the internet makes it so difficult [to be in relationships] because we’re taking in so much information. There’s always new, new, new, more, more, more. Having one person seems like a restriction, like a limitation. Everyone’s used to being overstimulated.
I feel like men kind of do this thing where they don’t wanna tell anyone about [who they’re with], because they don’t want to lose the opportunity to potentially call you if they needed to. Not saying that they would, but they need the option. So in that song, I’m opting in. Like, I know you have a bunch of girls, probably. Maybe you’re not being honest with me — I just know that you have mad girls — and I still don’t care, because I didn’t want to be your girlfriend anyway! I’m not internalizing the way that you’re acting as a disrespect towards me, it doesn’t make me any less because you’re not my boyfriend. And like, you’re not her boyfriend, and you’re not her boyfriend. You’re just out here wildin’.
I love her but I'm gonna need Solange to chill dd.
Why do the parking lot scenes look like green screen dddd
Because it is!
I know it’s slightly blasphemous to say anything negative about Solange, but girl, stop. For a song that LITERALLY lends itself to a storyline video that could have been a great internet moment (for the right reasons), this shit is a total dud. It’s boring. It’s uninspired. It’s basically “Cranes in the Sky” except without the feeling of “Oh shit, we got a Solange video for the best song on her album that totally surprised us all, so let’s just look at Solange be awesome for a video.” Solange absolutely could not drop that same video again to the same response.
But she tried anyway, except it’s not nearly as interesting AND used a song tons of folks were talking about, and now I’m annoyed because, I mean, shit, we should have gotten one of those epic ’90s videos that was basically a short movie turned into a music video, not this artsy four-minute video of a rhythmically challenged SZA doing that thing we all do in the mirror before middle school dances when we realize other people are going to find out we can’t dance if we don’t spend at least seven minutes “practicing.”
But you're still waiting on the moment
Breath is bated
I wish I could hold you
I can't take it
Truly a relatable, quotable anthem.What if I told you that it was all in vain?
Would it still hurt you?
Would you still feel the same?
Said it's impossible-possible
So impossible
But you're still waiting on the moment breath is bated
I wish I could hold you, I can't take it
Tell you all my secrets
I'm too faded
Praying that tomorrow I'll be braver
Maybe I can tell you, maybe we can do this
Kisses on my forehead we can fall into it
Love you like the rain, that falls much faster
Living in a piece of ever after
Forever after
Living in the piece of ever after
Ever after, ever after
If you will have me
I'll make you happy
Need someone to whom I can belong
Here's my confession
Saving it special
Hoped it would be you all along
All along
All along
All along
But you're still waiting on the moment breath is bated
I wish I could hold you, I can't take it
Tell you all my secrets
I'm too faded
Praying that tomorrow I'll be braver
Maybe I can tell you, maybe we can do this
Kisses on my forehead we can fall into it
Love you like the rain, that falls much faster
Living in a piece of ever after
Forever after
Living in the piece of ever after
Ever after, ever after
Perfect post. Reminds me of the Pitchfork review for Broke, which I loved and think about a lot.Gimme a Chance proves why she is leagues above most artists today, especially her contemporaries in Rap music. The sheer amount of creativity that's put into this song is like.. astonishing. Who else is bringing so many influences from all different cultures/musical genres and making it feel so authentic? There's no appropriation here. This is what I love about Azealia, she dips her foot into any world and makes it her own, whether it's House, EDM, Surf Rock, Pop, R&B, Indie Rock or just straight up spitting bars. Nothing is being borrowed for the sake of a hit or a bid to further her own career, it's because she's a real creative who loves music. Then she starts rapping and singing in Spanish?
Gimme a Chance proves why Azealia Banks is that girl.
The party line among hip-hop aficionados is that New York rap currently lacks a distinctly New York identity. There’s some truth to it. The city’s biggest success stories of late involve locals breaking out by spicing Big Apple grit with outside flavors, from A$AP Mob’s Texas screw fixation to French Montana’s trap circuit traction to Nicki Minaj’s day-glo EDM daze. But the scene in 2014 can’t look like it did in 1994 or even 2004, and it’s becoming increasingly clear that the Statlers and Waldorfs pining for a new age of rappity boom bap wouldn’t notice a new New York if it came up and offered them molly in a Brooklyn bar bathroom.
Well, Azealia Banks is it, and Broke With Expensive Taste is a reminder that the corner of Harlem that she claims is walking distance from both Washington Heights and the Bronx, where you’re as likely to hear hip-hop booming out of apartments and passing cars as freestyle, reggaeton, house, or bachata. It’s a quick subway jaunt away from the landmark clubs where ball culture persists, as well as perennial dance parties at Webster Hall and the glut of eclectic Lower Manhattan concert venues. Broke With Expensive Taste glides through all of these, just like the faithful 1 train sampled on "Desperado". Both album and the artist revel in the freedom of a New York City where divisions between these sounds and scenes have ever so slowly ceased to exist.