Exile deserves what has happened to Desire, the taste factor is starting to sour round here.
Exile having the second most tracks remaining is... undeserved.
(Bane voice)
speak of the devil, and he shall appear...
Though Sandman wasn't a single,
Exile's Wikipedia page dedicates a whole paragraph to it for some reason.
"Sandman" has an R&B feel to it; according to Hutchcraft, the duo aimed to "make a song that sounded like Hudson Mohawke, but as a pop song."[10] The song was described as "a mechanical krautrocky dirge with a pop heart",[12] while its child choir was branded "creepy" and "cloying" by critics.[12][13]
I can hear it, I think? Either way, this is a fun change of pace. It doesn't have as much replayability or emotional depth as their other songs, but it's well-produced and catchy. A low-7 average seems about right.
@VivaForever (5): Stop putting children in songs 2k19. Children are meant to be neither seen nor heard.
@abael (5): Interesting production distracts from silly lyrics.
@saviodxl (6.9): I like Depeche Mode too!
@Untouchable Ace (8.9): The song a pop loving killer would murder to.
@Reboot (9): A really good song when it’s performed live. I wasn’t that keen on it when I first heard it, but it’s undeniably catchy in that brooding Hurts way.)
@OspreyQueen (9): This is gonna be a controversial one, it’s a pretty damn weird song. I’m totally on its side though, I love a bit of horrorpop and this one is absolutely spellbinding, especially the children’s choir singing the middle 8.
@berserkboi (10): What a gorgeous clash of fabulousness!