I remain deeply fascinated with the entire disaster and I'm curious how it will translate long term. Obviously reception was less than ideal but the positioning felt deliberate in shifting away from the toothless hits she had previously stumbled into. It's a unique case study for recalibrating an artist to a lower commercial ceiling to do something more creatively interesting (if mined of obvious influences).
I guess it worked on me at least!
Yeah, this kind of nails it and it’s something Pop Pantheon have done a great job at needling at this year (and I
know you’re a little panty dropper like me).
Now more than ever, it’s better to swing big and have a small number of people obsess over your output than try and placate the wider population with something that sticks in the moment and doesn’t leave an impression, and I’d say she’s more than achieved that. As
@mindtrappa touched on, the way this album was pushed was a complete shambles but I do think once we’re out of this year and she’s able to move forward, she’s in a much better position now she’s free of the commercial expectations she set herself with the debut.
Speaking of: