Discussion in 'Pop & Justice' started by jamesmax, Sep 21, 2018.
Holy fuck this fucking slaps
FACK Chris literally stole that video - they're electrifying together!!!
I love t.A.T.u.
Holy FUCK, what a serve
The scene of them dancing around the car surrounded by fire. Whew.
The absolute star power radiating from the both of them. Whew.
Gone, like myself after watching and hearing it all at once. Poof.
That was fantastic. Their chemistry is out of this world.
t.A.T.u but make it charismatic. A serve.
That was a classic... that was a classic...
My eyes were on Christine throughout the entire video. That energy!!! She’s so fascinating to watch.
I’ve played the song 10 times in a row. I adore it!!!
Okay, I definitely like the song, especially the from the break to the ending, which Charli is so good at, I've noticed. It didn't kill me as I thought it would, but I see it growing on me quite a bit. The video is fine.
I have to wait until I get home to watch this HFlafldfhasdlgf I HATE YOU ALL.
After being decidedly lukewarm on 1999 and Blame It On Your Love (they're not bad, but they're certainly far from her best), Gone has me properly hyped for the album in the way that I want to be.
Well if this isn't the best single of the year! I love when my fave lives up to her potential.
This interview with the two of them on the set is so good. Scream at the original pre-chorus.
It’s even better than I remembered it at Primavera. Absolutely one of the best of the year, and the sequel to Pop 2 we deserve.
After getting a little Xcxhausted by a few fine but not amazing singles, not only is this track a pulsating serve but the music video might be a career best? Giving me mid 2000s Erik White videos in the best way, Chris is that genderqueer icon that we need.
My Spotify Radio keeps insisting on playing the acoustic version of ‘After The Afterparty’ after this and it’s a serious crash back down to earth.
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