RainOnFire
Staff member
I’m just here to plug Coco Jones’ album since this isn’t cutting it!
Sis this album isn't good either ddddd
I’m just here to plug Coco Jones’ album since this isn’t cutting it!
Beyoncé protégé Chloe Bailey is a generational talent, but the generic songwriting and chemistry-free features on her solo debut don’t make the case.
Her debut solo album In Pieces is a compilation of soulless singles curated to produce kiss-off captions. It spends so much time defining what Chlöe isn’t—Halle, a Bible-thumping prude, a moral absolutist—that by the end, we have no clue who the mononymous singer actually is.
In what reads as a desperate attempt to secure a hit, Chlöe aligns herself with “bad boy” and notorious abuser Chris Brown for “How Does It Feel,” a song with the sexual appeal and emotional intimacy of Apple’s Terms and Conditions.
The emotionally charged conversational interludes and narrative intros (“Do you ever wonder, like, who else is fucking your man?”) are out of place amid the redundant themes and mind-numbingly online songwriting. It’s like a choose-your-own-adventure with only two endings: There’s a good-for-nothing man in her life who keeps betraying her, so will she A) give it to God or B) shake some ass and show him what he’s missing? The unfaithful men and nameless “fuck niggas” she croons about are so abstract it’s impossible to connect with her devastation. Does he buy you nice stuff? Is the dick good? Do you not want another woman to profit from your emotional labor? Moments that could’ve built up to rewarding catharsis are dead on arrival.
Still, her most compelling work has been with Halle by her side, complementing her maximalist tendencies. Together, their music struck a golden balance of lively, introspective, and evocative. Now that Halle is a Disney princess, Chlöe cosplays as a dominatrix. In Pieces meets a fate worse than controversy: banality.
Damn ... the accuracy.Pitchfork gave her a 6.1 which is nice all things considered, but the actual review... oop
Coco has bops, this is lacking!Sis this album isn't good either ddddd
"a song with the sexual appeal and emotional intimacy of Apple’s Terms and Conditions" is already the read of the year I'm afraid.Pitchfork gave her a 6.1 which is nice all things considered, but the actual review... oop