Depeche Mode

Agreed, Martins writers block so very evident on the biblical names track.

I love "Breathe", it's like a goth version of Craig David's "7 Days".

I think "Shine" and "The Sweetest Condition" are the weak links on Exciter, and they're sequenced together right at the top of the album, which is a shame.
 
I am well used to being on the dissenting side for all things Mode post-Alan!
Tbh if we all agreed I don’t think they’d be the band they are. We are all usually able to find something that appeals to us in any of their albums, it’s just different to all of us!

I do enjoy a DM chat - sadly been too quiet here for a while. I actually need to go listen to Exciter again, did quite enjoy it when released.

On a side note, has anyone heard Dave’s collaboration with Jennylee of Warpaint?
 
Home is exceptional and I would have led the campaign with it. It's No Good is rambling, empty, derivative and decidedly "middle of side 2".
I love It's No Good! I find the production quite hypnotic, I also really like Useless too, particularly the single mix, Barrel of a Gun however, has never really done it for me, which is probably considered criminal, although I'll admit it has a great intro and sets up the album very well.
I also love Only When I Lose Myself, I like to tie that single in with the Ultra era.
 
I'm suddenly giving Delta Machine a bit of a reassessment, I randomly ended listening to a few songs for the first time in a long time and I forgot how great Should Be Higher is, and for once I actually really enjoyed Angel and think it could be one of the strongest songs on the album.
It got me thinking, there are 3 albums produced by Ben Hillier, so I tried to make a playlist of an album that could match the consistency of Violator and Songs of Faith and Devotion, and I've come up with the below:

01.) Playing the Angel - Statement song, loud, a bit too loud for me, but does the job, either that or Welcome to My World
02.) Wrong - Instant banger, one of their best singles from this era.
03.) Angel - Getting those Condemnation vibes, but darker
04.) The Sinner In Me - We need that Halo / Mercy In Me vibe
05.) Jezebel - Martin's turn, he hasn't got the best selection of songs this era, but this is one of my favourites
06.) Precious - Big single time, a la Enjoy the Silence.
07.) Introspectre - Lets get an instrumental in there, I think this is the best one they did.
08.) Should Be Higher - Throw in another good single a la Policy of Truth
09.) Nothing's Impossible - Time for a heavier industrial vibe song like Rush
10.) Always - Another Gore song, I've seen this one praised by fans since its release and should have been on Delta Machine instead of The Child Inside.
11.) Alone - Dark, sinister, spiralling synths, one of my favourites, the perfect closer, why it wasn't the closer in the first place is beyond me.
 
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Lie To Me is such an underrated gem and by far my favourite from Some Great Reward. I´d argue that it´s their first "adult" song and the mood and sound paved the way to Violator.
And since it´s such a proto-deep-house-jam I tried to make it even deep-housier.
Tell me you love it:

Did enjoy that. Though the video was a bit distracting pre first coffee of the day!
 
Lie To Me is such an underrated gem and by far my favourite from Some Great Reward. I´d argue that it´s their first "adult" song and the mood and sound paved the way to Violator.
And since it´s such a proto-deep-house-jam I tried to make it even deep-housier.
Tell me you love it:

Lie To Me and Something To Do are a killer one-two to open Some Great Reward.
 

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