Discussion in 'Pop & Justice' started by strangekin, Nov 28, 2018.
Are there really two versions of Good Things and Wrong Number? I honestly can't tell any differences?
Lemme pull my bang back and read that again!
I'm in the US, and Ohio of all places, no less... and can confirm that local pop radio 97.9 (the most popular radio station in Columbus) is hammering Love Again every hour it feels like. Another smash incoming.
The way I initially thought releasing Love Again over Cool was a missed opportunity because Cool felt more "summer" and Love Again more "fall", only to realize that Love Again probably won't peak on the charts until early fall... *her mind*
Did you know that
You can't say pop without smoke?
I love the new single but I can’t remember the last time I seen a music video that was a clip show off past music videos?! I’m thinking Madonna’s Rescue Me?!
Look what you made me do kinda and Hold it Against Me?
Watch this give the song ANOTHER wind on radio as more people discover the “full Dua” version…
Remember when she interpolated Gimme, Gimme, Gimme into the (already 11/10) Live in LA mix of Don’t Start Now at Studio 2054 and christened herself the greatest woman on earth? Me too x
Love her work with Comte. This is a toot.
The imagery and art direction for most of this era is something that continues to floor me. Everything fits its soundscape like a glove and the album cover is still one of the most stunning pictures I've ever seen.
Another Danja-produced Future Nostalgia outtake leaked and it's pretty good.
Better This Way is serving huge potential, what a monster hook! Sounds like a lost Gwen Stefani or Nelly Furtado classic.
A polished version of this could be absolutely amazing.
Wow at her Tiny Desk being the 3rd most watched ever with 44 million views currently.
All these songs in the vault makes the Moonlight edition even weirder.
So this didn’t make the cut but Not My Problem did????
The Moonlight Edition was a huge dropped ball, but I have faith some of these tracks were being kept back for a reason and are either repurposed for the soundtrack or her next album.
I feel like the title track gets overlooked and somewhat unfairly forgotten and I just wanted/needed to say what a complete and utter BOP it really is. The way it basically is the centrepiece of this whole era - it deserves so much!
THIS. I really hope it opens the tour/morphs into the Joe Goddard Remix midway through the performance. A slay!
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