uh oh guys the melody police is here
Don't lump me in with the other basics who couldn't appreciate Self-titled's glory. That's not fair and you know it sis.
I love Self-titled and I credit the album for getting me into Beyonce
(and I might give it the slight edge over Lemonade as my favorite album from her). However, I just don't understand what's so great about Drunk in Love, and I'd easily name it the weakest song on the album. Bey's tone on the track and take-charge embrace of her sexuality are the only good things about the song.
I know lack of melody was the go to criticism for most of the basic bop fans after self-titled dropped and they discovered a more moody, PR&B inflected album than what they had expected, but it's probably the one time I'd personally say the criticism holds true.
And I'm not even going to touch Jay's verse, which is frankly disgusting and incredibly tasteless.
I know that's not a popular opinion here since everyone seems to love the song but other than the growly chorus, I find the song's melodic structure completely unremarkable otherwise and the song is completely underbaked. Especially when there's songs like ***Flawless and Partition on the very same album which do what Drunk in Love attempts to do but much much better.
Some of y'all need to stop getting out your dusty pop rulebook and applying it to R&B.
I don't know if this was directed at me, but it's a good point that I want to respond to.
I'm not asking for her to slap on a dated 2010 poppers o'clock EDM dance break, nor am I asking her to recruit Max to write a massive pop chorus. There's a way to make RnB and trap music that's still melodic and has a proper hook.
On the very same album you have Partition which succeeds in doing it and you have ***Flawless which also succeeds in doing it. On Lemonade, you have Sorry and 6 Inch, both electro-RnB tracks, that also have a strong enough hook, melody, and production.
Ultimately I just don't think the track succeeds at what it's trying to do.