Yes!
***Flawless: The Beyoncé Discography Rate Top 50 (COMPLETE)
- Thread starter RJF
- Start date
He/Him
Formation is a worthy winner for one reason alone:
Formation literally got Beyonce discussed on news networks and a presidential town hall.
You know you that bitch when you cause all this conversation indeed
Formation literally got Beyonce discussed on news networks and a presidential town hall.
You know you that bitch when you cause all this conversation indeed
I'll wrap everything up officially tonight.
@strangekin sis your presentation skills are... A choice.
@strangekin sis your presentation skills are... A choice.
2
SCORE: 9.443
11/10 x 8
@Robsolete @Conan @KAG @JamesJupiter @Lost In Japan. @P'NutButter @ThighHighs @supersoon
Highest Score: 10 x 45 (@LPMA @kermit_the_frog @FresherThanYou @Wild Man. @Daniel! @Number @Jersey @ericcccc @Beginner @strangekin @Sprockrooster @that boy is a monster @Rogue @2014 @Terminus @Subwaykid @AllGagaLike @ohnostalgia @Jam @PLUTO @beyoncésweave @eccentricsimply @lalaclairi_ @Remyky22 @Alouder98 @Laura Vanderbooben @Remorque @EnsnareTheSenses @Maria @munro @Petty Mayonnaise @Pinkie @Syzygyz @constantino @K94 @Oceandrive @scottdisick94 @RetroPhysical @theincredibleflipper @allyshone @Push @Mr.Arroz @Can't Speak French @ohdenny @aaronhansome)
Lowest Score: 5 x 1 (@AlexD)
My Score: 9.5/10
Iconic, legendary, everything… but is it really? I mean, my wig blows clean off my head when I hear it on the dancefloor, but if you take Beyoncé’s entire career into consideration, I’m not sure if it can actually stack up against the things we’ve received on later albums. It also sounds kind of flat outside of a concert or club these days…
Make no mistake though: one of the finest, biggest songs of the 21st Century and fully deserves to be. There is not a person alive who can stay still the moment those opening trumpets blast and the entire thing is a brilliant rush… but not her absolute best. This all reads quite negatively for a 9.5, doesn’t it?
We open with beyoncésweave, whose commentary makes me not want to bother posting anyone else's, teebs. "This was my only other contender for the 11. It is so ubiquitous that it’s hard to overstate just how important it is. After practically a lifetime of its inevitability, solo Beyoncé’s career had to justify her aspirations, her talent and her worth as her own artist. And this does that, in spades, in a way which forcefully lays to rest everything that came before. The instrumentation, the full-throated vocals, and that goddamn flow all capturing in a mere four minutes the delirious, feverish madness of early love. And all throughout, it feels like celebration, worship session and impending-end-of-the-world bop all in one. I remember so vividly the point in the video where she licks her thumb and slides it down her cleavage while a 747 turbine goes into overdrive behind her; it was in that moment I knew she had me, and as it turns out, permanently."
munro says "Absolutely amazing, it goes off in a live setting." me and this song have that in common. Kii. ericcccc makes me feel old, but I'm sure he'll make some users feel even older still, "Pop brilliance. I was basically a baby (not really) when this came out, so I don’t remember when I first heard it, but I’ve always loved it." I feel like "Crazy In Love" has been in our lives forever. No one knows when it came out because it's always been there. Sprockrooster isn't controversial for a change and gives this full marks, "One strong 11 contender, but had to go with another. This is a modern classic and I love how unmatchable it's sound is." She matched it and bettered it in subsequent years, but as it's the last right up, let me keep it cute.
constantino goes off a tangent about Raven SymonYAY, "When Jay said this was “history in the making”, he wasn’t wrong; this was quite simply the most iconic breakaway hit in pop history. I’ve never been that much of a Beyoncé fan in the grand scheme of things, but whenever I listen to this song I ~get it~. Poor her haters. On a different note, remember when they produced a rip-off version for an episode of That’s So Raven because Disney didn’t want to pay loyalties? “That’s my jam!” same, sis." Were you even alive when That's So Raven was on television? FresherThanYou promises me one word for his commentary but breaks that promise and provides several, "One word - ICONIC. The horns at the start of this track will go down in history!" Speaking of going down in history, iconic bathhouse employee send photo gets darker than the kink list of the patron in 14B, "I’ll give Jay-Z a pass on this one but he should’ve hopped into the flaming car after he delivered and saved us from any future features." But then who would have inspired the brilliant music we got from him being a scrub? Sam de Jour simply announces it to be, "Still a banger." Quite.
Rogue is that guy bugging the mediocre DJ at every event you get dragged to, "The song’s iconic, a wedding and club staple that transcends the usual naffness of those songs. I live for the ad-libs as the chorus smacks back in for a final time." while Oceandrive... goes off, "I almost didn't want to be cliche and give this a 10 ... Then the horns came blaring in with the same rampant urgency they had when it first dropped all those years ago. They are above all else the perfect introduction to a young girl we now call Queen. I remember watching the video for the first time and seeing Bey strut down that sidewalk in those red heels with no respect for interim RnB divas that she let hold the throne whilst she was preparing for battle. She had arrived. The world was sent into a tailspin and has been doing the Uh-Oh ever since. Underneath the statement that it made, musically it's still a masterpiece, her reinventions and energy during its live performances have made it ageless, and seeing Beyoncé absolutely destroy everything in her wake when she was still a relative rookie on The Beyoncé Experience remains one of my favourite life experiences." Yes. BITCH. WORK.
CasuallyCrazed is broken on the inside and gave this a 6/10, " Has a catchy hook obviously but I genuinely don’t understand its standing as one of the most overplayed ubiquitous pop songs of all time. It’s noisy and jangling. The vocals sound like they were recorded on a Motorola Razr. Never a fan of a saxophone in a pop song, and even still I prefer Cheryl’s “Crazy Stupid Love” over this." JESUS CHRIST. Pinkie serves me hyperbolic metaphors, "13 years later and this still rips my soul out and throws it into a supernova, with a little “uh oh uh oh uh oh, oh no no” to make sure Bey gets that royalty cheque at the end." Like any good stan should. Meanwhile, dodoriazarbon serves contrarian, "It's a legendary track, yes, but I'm so over it. Would never choose to listen purposely. Always hated the slightly muddy production too." and Laura Vanderbooben serves stan, "I mean, this is how you do a "debut" (after being in the public consciousness for years already...which really just adds to the pressure) single. LITERALLY iconic."
ohnostalgia gets ohnostalgic... Wait I think I've used that one already haven't I, "With all the hype, accolades, countless spins and think pieces, you'd think I'd be over it; not quite. Crazy in Love completely fascinates, thirteen years later. A monumental debut for a monumental artist." Poor the "Work It Out" stans. IMHO is weary. He should try running this fucking rate, "Iconic from the very blast of those horns and enduring to the point that it's never really dated, even if its general ubiquity has made it tougher to get excited about nowadays." and K94 couldn't think of a new word between his posts the other day and doing commentary, so here's that "edgy" swipe again, "Look at GOD. People will underscore this to be edgy but it’s one of those songs that just comes together so perfectly and everything drops in and out at just the right time. An untouchable classic (and not even my 11 ddd)." After all that? Mess.
Jersey lives in the fantasy, "Classic, through and through. Let me slip on my white tank, Daisy Dukes, red pumps and STRUT like the Queen." while Beginner lives in the past, "This song would still be a 7/10 if it was just that horn sample on repeat. I love the curtain drop on the giant screen on the performance clip from the I Am tour. Epic moment, epic song." while Push... talks more about its performance in this rate than how good he finds it, "The unmistakable iconic hit, proper introduction to Beyoncé that is obviously guaranteed a spot in the top 10." Well... yes.
We close with ThighHighs, who gave this his 11/10, "The best song of the 21st Century. Those horns. Those "Uh-oh"s. This song is the best thing she has ever done. Even separating it from the incredible music video and general pop culture hysteria it caused, the song itself is a masterpeice. Perfectly composed, with a Grade-A verse from Jay-Z. Her runs at the end and the CHOREOGRAPHY in the last bit where she licks her thumb and slides it down herchest are incredible. I can't separate the song from the video entirely simply because they are both so ICONIC. There's nothing about this song that I don't 100% love, and throughout the years it has always been and will always be my favorite Beyonce song."
"Crazy In Love" has been performed fucking everywhere because it is one of the most iconic pop songs of all time. Watch a smattering of performances below, along with its equally iconic video.
SCORE: 9.443
11/10 x 8
@Robsolete @Conan @KAG @JamesJupiter @Lost In Japan. @P'NutButter @ThighHighs @supersoon
Highest Score: 10 x 45 (@LPMA @kermit_the_frog @FresherThanYou @Wild Man. @Daniel! @Number @Jersey @ericcccc @Beginner @strangekin @Sprockrooster @that boy is a monster @Rogue @2014 @Terminus @Subwaykid @AllGagaLike @ohnostalgia @Jam @PLUTO @beyoncésweave @eccentricsimply @lalaclairi_ @Remyky22 @Alouder98 @Laura Vanderbooben @Remorque @EnsnareTheSenses @Maria @munro @Petty Mayonnaise @Pinkie @Syzygyz @constantino @K94 @Oceandrive @scottdisick94 @RetroPhysical @theincredibleflipper @allyshone @Push @Mr.Arroz @Can't Speak French @ohdenny @aaronhansome)
Lowest Score: 5 x 1 (@AlexD)
My Score: 9.5/10
Iconic, legendary, everything… but is it really? I mean, my wig blows clean off my head when I hear it on the dancefloor, but if you take Beyoncé’s entire career into consideration, I’m not sure if it can actually stack up against the things we’ve received on later albums. It also sounds kind of flat outside of a concert or club these days…
Make no mistake though: one of the finest, biggest songs of the 21st Century and fully deserves to be. There is not a person alive who can stay still the moment those opening trumpets blast and the entire thing is a brilliant rush… but not her absolute best. This all reads quite negatively for a 9.5, doesn’t it?
We open with beyoncésweave, whose commentary makes me not want to bother posting anyone else's, teebs. "This was my only other contender for the 11. It is so ubiquitous that it’s hard to overstate just how important it is. After practically a lifetime of its inevitability, solo Beyoncé’s career had to justify her aspirations, her talent and her worth as her own artist. And this does that, in spades, in a way which forcefully lays to rest everything that came before. The instrumentation, the full-throated vocals, and that goddamn flow all capturing in a mere four minutes the delirious, feverish madness of early love. And all throughout, it feels like celebration, worship session and impending-end-of-the-world bop all in one. I remember so vividly the point in the video where she licks her thumb and slides it down her cleavage while a 747 turbine goes into overdrive behind her; it was in that moment I knew she had me, and as it turns out, permanently."
munro says "Absolutely amazing, it goes off in a live setting." me and this song have that in common. Kii. ericcccc makes me feel old, but I'm sure he'll make some users feel even older still, "Pop brilliance. I was basically a baby (not really) when this came out, so I don’t remember when I first heard it, but I’ve always loved it." I feel like "Crazy In Love" has been in our lives forever. No one knows when it came out because it's always been there. Sprockrooster isn't controversial for a change and gives this full marks, "One strong 11 contender, but had to go with another. This is a modern classic and I love how unmatchable it's sound is." She matched it and bettered it in subsequent years, but as it's the last right up, let me keep it cute.
constantino goes off a tangent about Raven SymonYAY, "When Jay said this was “history in the making”, he wasn’t wrong; this was quite simply the most iconic breakaway hit in pop history. I’ve never been that much of a Beyoncé fan in the grand scheme of things, but whenever I listen to this song I ~get it~. Poor her haters. On a different note, remember when they produced a rip-off version for an episode of That’s So Raven because Disney didn’t want to pay loyalties? “That’s my jam!” same, sis." Were you even alive when That's So Raven was on television? FresherThanYou promises me one word for his commentary but breaks that promise and provides several, "One word - ICONIC. The horns at the start of this track will go down in history!" Speaking of going down in history, iconic bathhouse employee send photo gets darker than the kink list of the patron in 14B, "I’ll give Jay-Z a pass on this one but he should’ve hopped into the flaming car after he delivered and saved us from any future features." But then who would have inspired the brilliant music we got from him being a scrub? Sam de Jour simply announces it to be, "Still a banger." Quite.
Rogue is that guy bugging the mediocre DJ at every event you get dragged to, "The song’s iconic, a wedding and club staple that transcends the usual naffness of those songs. I live for the ad-libs as the chorus smacks back in for a final time." while Oceandrive... goes off, "I almost didn't want to be cliche and give this a 10 ... Then the horns came blaring in with the same rampant urgency they had when it first dropped all those years ago. They are above all else the perfect introduction to a young girl we now call Queen. I remember watching the video for the first time and seeing Bey strut down that sidewalk in those red heels with no respect for interim RnB divas that she let hold the throne whilst she was preparing for battle. She had arrived. The world was sent into a tailspin and has been doing the Uh-Oh ever since. Underneath the statement that it made, musically it's still a masterpiece, her reinventions and energy during its live performances have made it ageless, and seeing Beyoncé absolutely destroy everything in her wake when she was still a relative rookie on The Beyoncé Experience remains one of my favourite life experiences." Yes. BITCH. WORK.
CasuallyCrazed is broken on the inside and gave this a 6/10, " Has a catchy hook obviously but I genuinely don’t understand its standing as one of the most overplayed ubiquitous pop songs of all time. It’s noisy and jangling. The vocals sound like they were recorded on a Motorola Razr. Never a fan of a saxophone in a pop song, and even still I prefer Cheryl’s “Crazy Stupid Love” over this." JESUS CHRIST. Pinkie serves me hyperbolic metaphors, "13 years later and this still rips my soul out and throws it into a supernova, with a little “uh oh uh oh uh oh, oh no no” to make sure Bey gets that royalty cheque at the end." Like any good stan should. Meanwhile, dodoriazarbon serves contrarian, "It's a legendary track, yes, but I'm so over it. Would never choose to listen purposely. Always hated the slightly muddy production too." and Laura Vanderbooben serves stan, "I mean, this is how you do a "debut" (after being in the public consciousness for years already...which really just adds to the pressure) single. LITERALLY iconic."
ohnostalgia gets ohnostalgic... Wait I think I've used that one already haven't I, "With all the hype, accolades, countless spins and think pieces, you'd think I'd be over it; not quite. Crazy in Love completely fascinates, thirteen years later. A monumental debut for a monumental artist." Poor the "Work It Out" stans. IMHO is weary. He should try running this fucking rate, "Iconic from the very blast of those horns and enduring to the point that it's never really dated, even if its general ubiquity has made it tougher to get excited about nowadays." and K94 couldn't think of a new word between his posts the other day and doing commentary, so here's that "edgy" swipe again, "Look at GOD. People will underscore this to be edgy but it’s one of those songs that just comes together so perfectly and everything drops in and out at just the right time. An untouchable classic (and not even my 11 ddd)." After all that? Mess.
Jersey lives in the fantasy, "Classic, through and through. Let me slip on my white tank, Daisy Dukes, red pumps and STRUT like the Queen." while Beginner lives in the past, "This song would still be a 7/10 if it was just that horn sample on repeat. I love the curtain drop on the giant screen on the performance clip from the I Am tour. Epic moment, epic song." while Push... talks more about its performance in this rate than how good he finds it, "The unmistakable iconic hit, proper introduction to Beyoncé that is obviously guaranteed a spot in the top 10." Well... yes.
We close with ThighHighs, who gave this his 11/10, "The best song of the 21st Century. Those horns. Those "Uh-oh"s. This song is the best thing she has ever done. Even separating it from the incredible music video and general pop culture hysteria it caused, the song itself is a masterpeice. Perfectly composed, with a Grade-A verse from Jay-Z. Her runs at the end and the CHOREOGRAPHY in the last bit where she licks her thumb and slides it down herchest are incredible. I can't separate the song from the video entirely simply because they are both so ICONIC. There's nothing about this song that I don't 100% love, and throughout the years it has always been and will always be my favorite Beyonce song."
"Crazy In Love" has been performed fucking everywhere because it is one of the most iconic pop songs of all time. Watch a smattering of performances below, along with its equally iconic video.
ALBUM ROUND UP
SCORE: 5.985
2. Crazy In Love - 9.443
26. Baby Boy - 8.361
35. Naughty Girl - 8.057
48. Me, Myself and I - 7.589
60. 03 Bonnie & Clyde - 7.133
77. Dangerously In Love 2 - 6.269
80. Work It Out - 6.133
83. Hip Hop Star - 6.009
85. Yes - 5.93
86. Be With You - 5.921
87. Speechless - 5.899
97. Signs - 5.443
101. What's It Gonna Be - 5.288
104. That's How You Like It - 4.978
111. The Closer I Get To You - 3.468
112. Gift From Virgo - 3.351
113. Daddy - 2.468
TOP SCORERS
1. Oceandrive - 8.353
2. supersoon - 7.794
3. aaronhansome - 7.765
4. vikeyeol - 7.647
5. Laura Vanderbooben - 7.382
BOTTOM SCORERS
1. CasuallyCrazed - 2.912
2. Subwaykid - 3.853
3. LPMA - 3.882
4. Daniel! - 4.206
4. send photo - 4.206
SCORE: 5.985
2. Crazy In Love - 9.443
26. Baby Boy - 8.361
35. Naughty Girl - 8.057
48. Me, Myself and I - 7.589
60. 03 Bonnie & Clyde - 7.133
77. Dangerously In Love 2 - 6.269
80. Work It Out - 6.133
83. Hip Hop Star - 6.009
85. Yes - 5.93
86. Be With You - 5.921
87. Speechless - 5.899
97. Signs - 5.443
101. What's It Gonna Be - 5.288
104. That's How You Like It - 4.978
111. The Closer I Get To You - 3.468
112. Gift From Virgo - 3.351
113. Daddy - 2.468
TOP SCORERS
1. Oceandrive - 8.353
2. supersoon - 7.794
3. aaronhansome - 7.765
4. vikeyeol - 7.647
5. Laura Vanderbooben - 7.382
BOTTOM SCORERS
1. CasuallyCrazed - 2.912
2. Subwaykid - 3.853
3. LPMA - 3.882
4. Daniel! - 4.206
4. send photo - 4.206
And so, we reach journey's end.
SCORE: 9.494
11/10 x 12
@dodoriazarbon @LTG @Sam de Jour @RJF @Itty Bitty Piggy @Wild Man. @that boy is a monster @ohnostalgia @Pinkie @K94 @allyshone @ohdenny
Highest Score: 10 x 44 (@AlexD @Jonathan27 @vikeyeol @Plethorya @Animalia @theelusivechanteuse @Zdarlight @push the button @send photo @BeingBoring @joe_alouder @RainOnFire @AlmightyAloud @LPMA @kermit_the_frog @Jersey @Beginner @strangekin @Rogue @Terminus @Subwaykid @Jam @PLUTO @eccentricsimply @lalaclairi_ @Laura Vanderbooben @EnsnareTheSenses @munro @Petty Mayonnaise @Syzygyz @constantino @Oceandrive @scottdisick94 @RetroPhysical @theincredibleflipper @Mr.Arroz @Can't Speak French @aaronhansome @Robsolete @Conan @KAG @Lost In Japan. @ThighHighs @supersoon)
Lowest Score: 3 x 1 (@Sprockrooster)
My Score: 11/10
And now, we get the emotional portion of the rate where, after deleting the commentary as I go through the eliminations, I return to a blank page. Here comes eccentricsimply to bow out, "A strong possible 11 because of everything this song is. From the song itself to the meaning and the power behind it. The visuals and the strength that is shown through them." munro says, "This is the sort of song that Beyonce needed to cement her as an icon. “You know you that bitch when you cause all this conversation” Is a legendary line." I don't think she needed this at all, but I think it was definitely something she wanted. ericcccc blasphemes then repents, " I’ll be honest… I really didn’t like this when I first heard it. It took a while, but we all make mistakes. Thankfully, I’ve seen the light. A celebratory end to a solid album."
Sprockrooster tries to calm the mob by lavishing praise on the video but it ain't going to fly, " This one is quite puzzling. It's video might be the best of this decade, but only reflecting on a longer term will tell. I also need artists a big (pop) artist to address things that are wrong in society. As a sort of protest artist and reflect on the state of the world but also be inspirational. I was hoping Beyoncé would bring it, but when I heard I was shocked it was mostly the video sending out that message. Lyrically she is saying how fabulous she is. Another thing that annoys me lyrically is saying (when she addresses the black community) that 'when they work hard' they could be a 'Bill Gates in the making'. When it is the same country that still have huge issues based on that same racial bias. Sonically I have much issues to listen to this song, but I will not zero this, because the important impact on society. If it was a video rate this was a 10 or possibly 11." but it isn't and you gave it a 3/10. Remyky22 also says he despises it, but at least he gave it a 4/10 and paid respect to Beyoncé's favourite number.
lalaclairi_ gives this full marks and adds, "By far her most experimental song, but the risk totally pays off -- this is a total triumph! This might be too abstract for some as the first time listening was really surprising, but, "I see it, I want it" alone is one of her best moments. And, of course, Formation's political message is strong while still being a truly great song." Yup. It's easy to let the message perhaps become the most important part of this release, but even isolated from that, the song knocks. constantino maybe worries a bit too much, " My feelings towards this are…complex…like, I love it…but I love it as an onlooker, I personally feel uncomfortable whites (male, female, straight, gay, whatever) trying to claim this as an empowerment anthem for THEM. It’s not. Call me uptight, call me intense, call me a SJW…I stand by it. It takes a true visionary to have this much impact; she got EVERYONE talking and that’s what music is all about. Purely on the basis of the production and the arrangement it is one of her best."
Time out.
I think you have a point, but I also think it's important to remember that the point of "Formation" and everything that it stands for is to be inclusive, not exclusive. Yes, the message is obviously aimed at black people, and black women in particular, but that doesn't stop it from being inspiring and powerful for others outside of the demographic so long as you're aware. Music is an incredibly subjective thing; you can't control how people will react to it. Basically, I don't think Beyoncé is disgusted by white people getting their lives to "Formation" when she performs it on tour. If anything, I'm sure she's glad to see it received so passionately.
Time in!
FresherThanYou kind of sums up my above paragraph perfectly, "Incredible intro, served an amazing video, many many great lyrics that can be used for fab Instagram captions when your feeling fly before a night out!" along with ThighHighs, who uses it for prinks, "Absolute banger. The perfect song to get ready for a night out with." Meanwhile, send photo is confused by the logistics of it all. "The closest Red Lobster is 2 hours away. Does she reimburse for gas?" Sis if Beyoncé asked me to dinner but wanted me to take a two hour drive to her location, I would be in the car before she even finished her sentence. "I think this is the boldest song she's ever done thus far." says KAG "As a black person, it's such a confidence boost hearing the most successful black female musician in the world singing about how proud she is of herself, what she looks like and where she comes from. This song also contains some of her best lyrics ever with 'I like my negro nose with Jackson Five nostrils' being the one that resonates with me."
Original host of this rate, Sam de Jour bestows his 11/10 upon this and adds the following odyssey, " Was it ever gonna be anything else? This is everything Beyoncé is and should be to me, in an astoundingly short 3 minutes and 26 seconds. Lemonade's shortcomings, in my opinion anyway, have to do with the fact that none of the songs do Formation justice. It's just that fucking brilliant, everything else seems inferior. Politically and emotionally charged, the entire song reverbs around your brain as if it has an electric current running through it.
This used to be my getting ready for work / a night out song because it just puts me in a good mood instantly. That opening bouncing synth, Bey somehow verging in between whispering and growling and the reverb on her voice. The background "stylin'" and "wooooooo!" before it kicks off. At the end of every line she roars "YA" at us, and her voice builds and builds into that pre-chorus. Only Beyoncé could get every dying-seagull-yas-queen-ing homo in the club to scream "TEXAS BAMAAAAAAA" at once. And it's a moment every single time.
My earlier commentary asked, "Could my 11 have been anything else?" And the answer, obviously and honestly, is not at all." Yassssssss.
SCORE: 9.494
11/10 x 12
@dodoriazarbon @LTG @Sam de Jour @RJF @Itty Bitty Piggy @Wild Man. @that boy is a monster @ohnostalgia @Pinkie @K94 @allyshone @ohdenny
Highest Score: 10 x 44 (@AlexD @Jonathan27 @vikeyeol @Plethorya @Animalia @theelusivechanteuse @Zdarlight @push the button @send photo @BeingBoring @joe_alouder @RainOnFire @AlmightyAloud @LPMA @kermit_the_frog @Jersey @Beginner @strangekin @Rogue @Terminus @Subwaykid @Jam @PLUTO @eccentricsimply @lalaclairi_ @Laura Vanderbooben @EnsnareTheSenses @munro @Petty Mayonnaise @Syzygyz @constantino @Oceandrive @scottdisick94 @RetroPhysical @theincredibleflipper @Mr.Arroz @Can't Speak French @aaronhansome @Robsolete @Conan @KAG @Lost In Japan. @ThighHighs @supersoon)
Lowest Score: 3 x 1 (@Sprockrooster)
My Score: 11/10
And now, we get the emotional portion of the rate where, after deleting the commentary as I go through the eliminations, I return to a blank page. Here comes eccentricsimply to bow out, "A strong possible 11 because of everything this song is. From the song itself to the meaning and the power behind it. The visuals and the strength that is shown through them." munro says, "This is the sort of song that Beyonce needed to cement her as an icon. “You know you that bitch when you cause all this conversation” Is a legendary line." I don't think she needed this at all, but I think it was definitely something she wanted. ericcccc blasphemes then repents, " I’ll be honest… I really didn’t like this when I first heard it. It took a while, but we all make mistakes. Thankfully, I’ve seen the light. A celebratory end to a solid album."
Sprockrooster tries to calm the mob by lavishing praise on the video but it ain't going to fly, " This one is quite puzzling. It's video might be the best of this decade, but only reflecting on a longer term will tell. I also need artists a big (pop) artist to address things that are wrong in society. As a sort of protest artist and reflect on the state of the world but also be inspirational. I was hoping Beyoncé would bring it, but when I heard I was shocked it was mostly the video sending out that message. Lyrically she is saying how fabulous she is. Another thing that annoys me lyrically is saying (when she addresses the black community) that 'when they work hard' they could be a 'Bill Gates in the making'. When it is the same country that still have huge issues based on that same racial bias. Sonically I have much issues to listen to this song, but I will not zero this, because the important impact on society. If it was a video rate this was a 10 or possibly 11." but it isn't and you gave it a 3/10. Remyky22 also says he despises it, but at least he gave it a 4/10 and paid respect to Beyoncé's favourite number.
lalaclairi_ gives this full marks and adds, "By far her most experimental song, but the risk totally pays off -- this is a total triumph! This might be too abstract for some as the first time listening was really surprising, but, "I see it, I want it" alone is one of her best moments. And, of course, Formation's political message is strong while still being a truly great song." Yup. It's easy to let the message perhaps become the most important part of this release, but even isolated from that, the song knocks. constantino maybe worries a bit too much, " My feelings towards this are…complex…like, I love it…but I love it as an onlooker, I personally feel uncomfortable whites (male, female, straight, gay, whatever) trying to claim this as an empowerment anthem for THEM. It’s not. Call me uptight, call me intense, call me a SJW…I stand by it. It takes a true visionary to have this much impact; she got EVERYONE talking and that’s what music is all about. Purely on the basis of the production and the arrangement it is one of her best."
Time out.
I think you have a point, but I also think it's important to remember that the point of "Formation" and everything that it stands for is to be inclusive, not exclusive. Yes, the message is obviously aimed at black people, and black women in particular, but that doesn't stop it from being inspiring and powerful for others outside of the demographic so long as you're aware. Music is an incredibly subjective thing; you can't control how people will react to it. Basically, I don't think Beyoncé is disgusted by white people getting their lives to "Formation" when she performs it on tour. If anything, I'm sure she's glad to see it received so passionately.
Time in!
FresherThanYou kind of sums up my above paragraph perfectly, "Incredible intro, served an amazing video, many many great lyrics that can be used for fab Instagram captions when your feeling fly before a night out!" along with ThighHighs, who uses it for prinks, "Absolute banger. The perfect song to get ready for a night out with." Meanwhile, send photo is confused by the logistics of it all. "The closest Red Lobster is 2 hours away. Does she reimburse for gas?" Sis if Beyoncé asked me to dinner but wanted me to take a two hour drive to her location, I would be in the car before she even finished her sentence. "I think this is the boldest song she's ever done thus far." says KAG "As a black person, it's such a confidence boost hearing the most successful black female musician in the world singing about how proud she is of herself, what she looks like and where she comes from. This song also contains some of her best lyrics ever with 'I like my negro nose with Jackson Five nostrils' being the one that resonates with me."
Original host of this rate, Sam de Jour bestows his 11/10 upon this and adds the following odyssey, " Was it ever gonna be anything else? This is everything Beyoncé is and should be to me, in an astoundingly short 3 minutes and 26 seconds. Lemonade's shortcomings, in my opinion anyway, have to do with the fact that none of the songs do Formation justice. It's just that fucking brilliant, everything else seems inferior. Politically and emotionally charged, the entire song reverbs around your brain as if it has an electric current running through it.
This used to be my getting ready for work / a night out song because it just puts me in a good mood instantly. That opening bouncing synth, Bey somehow verging in between whispering and growling and the reverb on her voice. The background "stylin'" and "wooooooo!" before it kicks off. At the end of every line she roars "YA" at us, and her voice builds and builds into that pre-chorus. Only Beyoncé could get every dying-seagull-yas-queen-ing homo in the club to scream "TEXAS BAMAAAAAAA" at once. And it's a moment every single time.
My earlier commentary asked, "Could my 11 have been anything else?" And the answer, obviously and honestly, is not at all." Yassssssss.
And it doesn't end there. Oceandrive weighs in for the final, phenomenal time, " This is probably where my 11 should be but I know y'all will give it yours. Formation feels like the culmination of Beyoncés quest for artistic freedom. From the moment she decided to take a step back and take some time out after the draining and people pleasing era of 'I Am' she knew she wanted to start saying something. The visual project she put out with B'Day was commercially cute but it was never going to create a wider conversation. '4' was the beginning of enlightenment and real ownership and Self Titled was when Bey realised the power her art could truly carry. 'Formation' is a step even further in that direction. The visual and the song come together to create the perfect storm. It provoked support and ignorance across the world. It was a loud voice in a movement that needed it and created a platform in which Beyoncé was able to stand in the middle of the pitch at the Super Bowl and proudly declare her love for negro nose and her babies Afro, and that is a moment I'll never forget. We kind of already knew, but it was the moment Beyoncé well and truly confirmed there is no catching or competing with her. She didn't come to play with you hoes, she came to sIay bitch." I realise my commentary-on-commentary is a bit lacking in this write up, but really, when y'all are doing my job for me I'm not sure what else I'm supposed to do.
The rule book is out again with CasuallyCrazed, "While I appreciate the song’s ballsiness and empowering message, it still feels more like a performance art piece than a lead single. Is it too much to ask for one chord progression?" Yes, especially when the song is serving you literally everything else. Pinkie calls it, "Peak Beyoncé" and dodoriazarbon reflects on its importance, " Gets my 11 for effectively being the point at which I knew for sure Bey was the most important pop artist living, and self-titled wasn’t a “fluke”. I actually feel it hasn’t been talked about ENOUGH. Obviously the video is intrinsic to it, but yeah. So so great. A BOP but it’s just so relevant. Well done, B." Sis, it had the police going on strike. It was discussed during presidential debates. It brought the word "negro" to the Super Bowl halftime show. TWICE. Trust me, it got coverage.
joe_alouder takes a little from Column A and a little from Column B, "Politically charged BAWP." whole ohnostalgia delivers a fitting finish to her commentary in this rate, "A world stopping moment that encapsulates everything I love about Beyonce- the personal, the political, the artist, the feminist, the activist, the triumphant, the role model, the true queen of our times." I couldn't have said it better myself. Beginner loses his mind on how timeless it is... a whole eight months after release, "HOW does this manage to be such a good song??? I recognized that it was a brilliant song on first listen but I didn't expect that it would change and reveal new sides of itself to me as the seasons changed. I feel like I'm listening to a slightly different song now in the fall than I did during the summer or spring. So many ad-libs and things going on in the background that keep it a fresh listen every single time and give it a burn rate of near zero." while Push just says, "FUCKING **** ME." which is actually far more amusing thanks to the censor, so I'll keep it.
allyshone graces us with his presence for the last write up, explaining why he gave this his 11/10, "After B scalped myself and the world bald with self-titled, we were all perched to see what she would comeback with, and she chose motherfucking THIS... An absolute balls to the wall banger that sounded like nothing on the radio, a song filled with highly quotable lyrics ready for the social media generation, it had a politically charged video while serving up some signature Beyoncé choreography and oh yeah... being one of the best pop music videos of all time AND a Superbowl performance that got far right wing media in America all kinds of fucked up. Only Beyoncé. This song perfectly encapsulates Beyoncé in 2016 hence why I gave it my 11." which leads us perfectly on to whoever is getting the final word of the rate.
Oh, it's me.
It had to be this, didn't it? I’ve spoken a few times throughout my commentary about how you could see the progression of certain styles through a chain of songs, with said styles ultimately being perfected over time. For me, “End of Time” is the top brassy banger, “XO” is the top thumping power ballad, "Best Thing I Never Had" is the top song for old white people... you get it. “Formation” is the top Beyoncé… well, it’s the top Beyoncé. That’s pretty much it. It’s everything she’s ever wanted to represent, to fight for, to sound like, all distilled, filtered through decades in the business and several songs where she nearly got it right, before arriving at this point. Her best song, her best statement, her best video, her best everything you could think of.
People more astute and in tune to the issues will articulate it better than I will, but a song like is so important and vital in 2016. To see arguably the biggest artist of our generation unapologetically embrace and celebrate her blackness with an equally unapologetic, celebratory song is marvellous. For her to take all that frenetic, spiky energy, and unleash it on middle America, her heels leaving holes in their precious football field as she stomped about in a Black Panther uniform and said “negro” twice during the fucking Super Bowl halftime show in the middle of a white nonsense Coldplay set? Good. Night. Nurse.
“Formation” is relentless. It’s loud and barbed and unambiguous in what it wants to say and how it wants to sound. Beyoncé tells us just how black and successful she is and we love every single second of it. Every zeitgeist snatching line, every resounding chime that follows every “I sIay!”, every jagged bounce in the production, and of course that masterful hook that the video makes you wait double the time for. AND THE VIDEO. Christ. Just her best ever. I don’t even have the words any more.
Ugh, I’m just so done with her not coming to play with us hoes and coming to sIay bitch. Iconic, profound, powerful, essential. Both Beyoncé and this song. They’re one and the same anyway. Table for two at Red Lobster, please. Beyoncé fucked me good.
THAT'S IT!
The rule book is out again with CasuallyCrazed, "While I appreciate the song’s ballsiness and empowering message, it still feels more like a performance art piece than a lead single. Is it too much to ask for one chord progression?" Yes, especially when the song is serving you literally everything else. Pinkie calls it, "Peak Beyoncé" and dodoriazarbon reflects on its importance, " Gets my 11 for effectively being the point at which I knew for sure Bey was the most important pop artist living, and self-titled wasn’t a “fluke”. I actually feel it hasn’t been talked about ENOUGH. Obviously the video is intrinsic to it, but yeah. So so great. A BOP but it’s just so relevant. Well done, B." Sis, it had the police going on strike. It was discussed during presidential debates. It brought the word "negro" to the Super Bowl halftime show. TWICE. Trust me, it got coverage.
joe_alouder takes a little from Column A and a little from Column B, "Politically charged BAWP." whole ohnostalgia delivers a fitting finish to her commentary in this rate, "A world stopping moment that encapsulates everything I love about Beyonce- the personal, the political, the artist, the feminist, the activist, the triumphant, the role model, the true queen of our times." I couldn't have said it better myself. Beginner loses his mind on how timeless it is... a whole eight months after release, "HOW does this manage to be such a good song??? I recognized that it was a brilliant song on first listen but I didn't expect that it would change and reveal new sides of itself to me as the seasons changed. I feel like I'm listening to a slightly different song now in the fall than I did during the summer or spring. So many ad-libs and things going on in the background that keep it a fresh listen every single time and give it a burn rate of near zero." while Push just says, "FUCKING **** ME." which is actually far more amusing thanks to the censor, so I'll keep it.
allyshone graces us with his presence for the last write up, explaining why he gave this his 11/10, "After B scalped myself and the world bald with self-titled, we were all perched to see what she would comeback with, and she chose motherfucking THIS... An absolute balls to the wall banger that sounded like nothing on the radio, a song filled with highly quotable lyrics ready for the social media generation, it had a politically charged video while serving up some signature Beyoncé choreography and oh yeah... being one of the best pop music videos of all time AND a Superbowl performance that got far right wing media in America all kinds of fucked up. Only Beyoncé. This song perfectly encapsulates Beyoncé in 2016 hence why I gave it my 11." which leads us perfectly on to whoever is getting the final word of the rate.
Oh, it's me.
It had to be this, didn't it? I’ve spoken a few times throughout my commentary about how you could see the progression of certain styles through a chain of songs, with said styles ultimately being perfected over time. For me, “End of Time” is the top brassy banger, “XO” is the top thumping power ballad, "Best Thing I Never Had" is the top song for old white people... you get it. “Formation” is the top Beyoncé… well, it’s the top Beyoncé. That’s pretty much it. It’s everything she’s ever wanted to represent, to fight for, to sound like, all distilled, filtered through decades in the business and several songs where she nearly got it right, before arriving at this point. Her best song, her best statement, her best video, her best everything you could think of.
People more astute and in tune to the issues will articulate it better than I will, but a song like is so important and vital in 2016. To see arguably the biggest artist of our generation unapologetically embrace and celebrate her blackness with an equally unapologetic, celebratory song is marvellous. For her to take all that frenetic, spiky energy, and unleash it on middle America, her heels leaving holes in their precious football field as she stomped about in a Black Panther uniform and said “negro” twice during the fucking Super Bowl halftime show in the middle of a white nonsense Coldplay set? Good. Night. Nurse.
“Formation” is relentless. It’s loud and barbed and unambiguous in what it wants to say and how it wants to sound. Beyoncé tells us just how black and successful she is and we love every single second of it. Every zeitgeist snatching line, every resounding chime that follows every “I sIay!”, every jagged bounce in the production, and of course that masterful hook that the video makes you wait double the time for. AND THE VIDEO. Christ. Just her best ever. I don’t even have the words any more.
Ugh, I’m just so done with her not coming to play with us hoes and coming to sIay bitch. Iconic, profound, powerful, essential. Both Beyoncé and this song. They’re one and the same anyway. Table for two at Red Lobster, please. Beyoncé fucked me good.
THAT'S IT!
ALBUM ROUND UP
SCORE: 8.488
1. Formation - 9.494
3. All Night - 9.424
10. Sorry - 9.117
11. Hold Up - 8.965
13. Freedom - 8.873
15. Don't Hurt Yourself - 8.794
21. 6 Inch - 8.494
22. Pray You Catch Me - 8.430
23. Daddy Lessons - 8.424
36. Love Drought - 8.041
47. Sandcastles - 7.696
81. Forward - 6.098
TOP SCORERS
1. Mr.Arroz - 9.792
2. constantino - 9.667
3. aaronhansome - 9.583
3. strangekin - 9.583
5. vikeyeol - 9.542
BOTTOM SCORERS
1. Sprockrooster - 6.417
1. FreshThanYou - 6.417
3. push the button - 6.5
4. Alouder98 - 6.583
5. MrMannacroix - 6.708
SCORE: 8.488
1. Formation - 9.494
3. All Night - 9.424
10. Sorry - 9.117
11. Hold Up - 8.965
13. Freedom - 8.873
15. Don't Hurt Yourself - 8.794
21. 6 Inch - 8.494
22. Pray You Catch Me - 8.430
23. Daddy Lessons - 8.424
36. Love Drought - 8.041
47. Sandcastles - 7.696
81. Forward - 6.098
TOP SCORERS
1. Mr.Arroz - 9.792
2. constantino - 9.667
3. aaronhansome - 9.583
3. strangekin - 9.583
5. vikeyeol - 9.542
BOTTOM SCORERS
1. Sprockrooster - 6.417
1. FreshThanYou - 6.417
3. push the button - 6.5
4. Alouder98 - 6.583
5. MrMannacroix - 6.708
BEYONCÉ: OVERALL SCORE - 7.07
ALBUM LEADERBOARD
1. Lemonade - 8.488
2. BEYONCÉ - 8.412
3. B'Day - 7.815
4. 4 - 7.702
5. I Am... Sasha Fierce - 6.307
6. Dangerously In Love - 5.985
SONG LEADERBOARD
1. Formation - 9.494
2. Crazy In Love - 9.443
3. All Night - 9.424
4. End of Time - 9.421
5. Partition - 9.402
6. Haunted - 9.266
7. Countdown - 9.253
7. Drunk In Love - 9.253
9. XO - 9.155
10. Sorry - 9.117
11. Hold Up - 8.965
12. Flawless - 8.927
13. Freedom - 8.873
14. Jealous - 8.820
15. Don't Hurt Yourself - 8.794
16. Love On Top - 8.792
17. Schoolin' Life - 8.763
18. Irreplaceable - 8.652
19. Mine - 8.592
20. Ring The Alarm - 8.532
21. 6 Inch - 8.494
22. Pray You Catch Me - 8.430
23. Daddy Lessons - 8.424
24. Blow - 8.408
25. I Miss You - 8.383
26. Baby Boy - 8.361
27. Get Me Bodied - 8.342
28. Freakum Dress - 8.320
29. Heaven - 8.294
30. Sweet Dreams - 8.190
31. 1+1 - 8.127
32. Halo - 8.095
33. Blue - 8.073
34. Flawless Remix - 8.066
35. Naughty Girl - 8.057
36. Love Drought - 8.041
37. Deja Vu - 8.022
38. Upgrade U - 7.978
39. Green Light - 7.911
40. Single Ladies (Put a Ring On It) - 7.908
41. I Care - 7.842
42. Grown Woman - 7.810
43. No Angel - 7.775
44. Dance For You - 7.763
45. Pretty Hurts - 7.737
46. Run The World (Girls) - 7.725
47. Sandcastles - 7.696
48. Me, Myself and I - 7.589
49. Check On It - 7.541
50. Party - 7.454
51. 7/11 - 7.335
52. Start Over - 7.332
53. Standing On The Sun - 7.307
54. Smash Into You - 7.278
55. Runnin' (Lose It All) - 7.263
56. Listen - 7.222
57. Beautiful Liar - 7.158
57. If I Were A Boy - 7.158
59. Rocket - 7.149
60. 03 Bonnie & Clyde - 7.133
61. Suga Mama - 7.120
62. Diva - 7.051
63. Feeling Myself - 7.035
64. I Was Here - 6.943
65. Superpower - 6.921
66. Scared of Lonely - 6.896
67. Kitty Kat - 6.864
68. Best Thing I Never Had - 6.807
69. Crazy In Love Remix - 6.782
70. Why Don't You Love Me - 6.753
71. Lay Up Under Me - 6.725
72. Disappear - 6.718
73. Part II (On The Run) - 6.494
74. Radio - 6.465
75. Resentment - 6.408
76. Rather Die Young - 6.392
77. Dangerously In Love 2 - 6.269
78. Broken-Hearted Girl - 6.239
79. Lost Yo Mind - 6.199
80. Work It Out - 6.133
81. Forward - 6.098
82. Ring Off - 6.041
83. Hip Hop Star - 6.009
84. Flaws And All - 5.981
85. Yes - 5.930
86. Be With You - 5.921
87. Speechless - 5.899
88. Creole - 5.896
89. Video Phone - 5.886
90. Ego - 5.813
91. Hello - 5.782
92. Ave Maria - 5.731
93. Back Up - 5.710
94. Welcome To Hollywood - 5.592
95. Summertime - 5.563
96. Dreaming - 5.516
97. Signs - 5.443
98. Satellites - 5.358
99. Poison - 5.307
100. If - 5.291
101. What's It Gonna Be - 5.288
102. World Wide Woman - 5.247
103. Rise Up - 5.006
104. That's How You Like It - 4.978
105. That's Why You're Beautiful - 4.677
106. Save The Hero - 4.639
107. Fever - 4.595
108. Still In Love (Kissing You) - 4.494
109. Back To Black - 4.361
110. Honesty - 4.199
111. The Closer I Get To You - 3.468
112. Gift From Virgo - 3.351
113. Daddy - 2.468
ALBUM LEADERBOARD
1. Lemonade - 8.488
2. BEYONCÉ - 8.412
3. B'Day - 7.815
4. 4 - 7.702
5. I Am... Sasha Fierce - 6.307
6. Dangerously In Love - 5.985
SONG LEADERBOARD
1. Formation - 9.494
2. Crazy In Love - 9.443
3. All Night - 9.424
4. End of Time - 9.421
5. Partition - 9.402
6. Haunted - 9.266
7. Countdown - 9.253
7. Drunk In Love - 9.253
9. XO - 9.155
10. Sorry - 9.117
11. Hold Up - 8.965
12. Flawless - 8.927
13. Freedom - 8.873
14. Jealous - 8.820
15. Don't Hurt Yourself - 8.794
16. Love On Top - 8.792
17. Schoolin' Life - 8.763
18. Irreplaceable - 8.652
19. Mine - 8.592
20. Ring The Alarm - 8.532
21. 6 Inch - 8.494
22. Pray You Catch Me - 8.430
23. Daddy Lessons - 8.424
24. Blow - 8.408
25. I Miss You - 8.383
26. Baby Boy - 8.361
27. Get Me Bodied - 8.342
28. Freakum Dress - 8.320
29. Heaven - 8.294
30. Sweet Dreams - 8.190
31. 1+1 - 8.127
32. Halo - 8.095
33. Blue - 8.073
34. Flawless Remix - 8.066
35. Naughty Girl - 8.057
36. Love Drought - 8.041
37. Deja Vu - 8.022
38. Upgrade U - 7.978
39. Green Light - 7.911
40. Single Ladies (Put a Ring On It) - 7.908
41. I Care - 7.842
42. Grown Woman - 7.810
43. No Angel - 7.775
44. Dance For You - 7.763
45. Pretty Hurts - 7.737
46. Run The World (Girls) - 7.725
47. Sandcastles - 7.696
48. Me, Myself and I - 7.589
49. Check On It - 7.541
50. Party - 7.454
51. 7/11 - 7.335
52. Start Over - 7.332
53. Standing On The Sun - 7.307
54. Smash Into You - 7.278
55. Runnin' (Lose It All) - 7.263
56. Listen - 7.222
57. Beautiful Liar - 7.158
57. If I Were A Boy - 7.158
59. Rocket - 7.149
60. 03 Bonnie & Clyde - 7.133
61. Suga Mama - 7.120
62. Diva - 7.051
63. Feeling Myself - 7.035
64. I Was Here - 6.943
65. Superpower - 6.921
66. Scared of Lonely - 6.896
67. Kitty Kat - 6.864
68. Best Thing I Never Had - 6.807
69. Crazy In Love Remix - 6.782
70. Why Don't You Love Me - 6.753
71. Lay Up Under Me - 6.725
72. Disappear - 6.718
73. Part II (On The Run) - 6.494
74. Radio - 6.465
75. Resentment - 6.408
76. Rather Die Young - 6.392
77. Dangerously In Love 2 - 6.269
78. Broken-Hearted Girl - 6.239
79. Lost Yo Mind - 6.199
80. Work It Out - 6.133
81. Forward - 6.098
82. Ring Off - 6.041
83. Hip Hop Star - 6.009
84. Flaws And All - 5.981
85. Yes - 5.930
86. Be With You - 5.921
87. Speechless - 5.899
88. Creole - 5.896
89. Video Phone - 5.886
90. Ego - 5.813
91. Hello - 5.782
92. Ave Maria - 5.731
93. Back Up - 5.710
94. Welcome To Hollywood - 5.592
95. Summertime - 5.563
96. Dreaming - 5.516
97. Signs - 5.443
98. Satellites - 5.358
99. Poison - 5.307
100. If - 5.291
101. What's It Gonna Be - 5.288
102. World Wide Woman - 5.247
103. Rise Up - 5.006
104. That's How You Like It - 4.978
105. That's Why You're Beautiful - 4.677
106. Save The Hero - 4.639
107. Fever - 4.595
108. Still In Love (Kissing You) - 4.494
109. Back To Black - 4.361
110. Honesty - 4.199
111. The Closer I Get To You - 3.468
112. Gift From Virgo - 3.351
113. Daddy - 2.468
Last edited:
And just for a kii...
VOTER AVERAGES
1. supersoon - 8.429
2. aaronhansome - 8.190
3. ohdenny - 8.022
4. Can't Speak French - 7.960
5. Mr.Arroz - 7.956
6. Push - 7.876
7. WarmBlood11 - 7.792
8. allyshone - 7.752
9. theincredibleflipper - 7.739
10. RetroPhysical - 7.646
11. ThighHighs - 7.624
11. Sam De Jour - 7.624
13. scottdisick94 - 7.619
14. Oceandrive - 7.611
15. constantino - 7.584
15. K94 - 7.584
17. P'NutButter - 7.571
18. Syzygyz - 7.553
18. Lost In Japan. - 7.553
20. AlmightyAloud - 7.509
21. LTG - 7.482
22. Pinkieshy - 7.469
23. Petty Mayonnaise - 7.465
24. munro - 7.451
25. Maria - 7.434
26. Zdarlight - 7.398
27. EnsnareTheSenses - 7.384
28. Remorque - 7.363
29. Laura Vanderbooben - 7.350
30. Remyky22 - 7.314
30. Alouder98 - 7.314
32. Itty Bitty Piggy - 7.305
33. dodoriazarbon - 7.288
34. lalaclairi_ - 7.279
35. eccentricsimply - 7.265
36. vikeyeol - 7.250
37. beyoncésweave - 7.243
38. RainOnFire - 7.226
39. PLUTO - 7.204
40. Animalia - 7.177
41. JamesJupiter - 7.159
42. Jam - 7.152
43. AllGagaLike - 7.150
43. ohnostalgia - 7.150
45. KAG - 7.142
46. Subwaykid - 7.133
47. Terminus - 7.128
48. 2014 - 7.119
49. Conan - 7.102
50. joe_alouder - 7.088
51. BeingBoring - 7.066
52. Rogue - 7.053
53. Jonathan27 - 7.013
54. theelusivechanteuse - 6.965
55. that boy is a monster - 6.925
56. Sprockrooster - 6.916
57. strangekin - 6.914
58. First2Run - 6.889
59. RJF - 6.841
60. Aester - 6.781
61. Beginner - 6.673
61. Robsolete - 6.673
63. ericcccc - 6.615
64. Number - 6.491
64. Jersey - 6.491
66. Plethorya - 6.425
67. send photo - 6.400
68. Daniel! - 6.314
69. enjoy - 6.261
70. Wild Man. - 6.230
71. HeartSwells - 5.876
71. MrMannacroix - 5.876
73. FresherThanYou* - 5.821
74. CasuallyCrazed - 5.803
75. kermit_the_frog - 5.788
76. AlexD - 5.752
77. push the button - 5.633
78. IMHO - 5.584
79. LPMA - 5.248
VOTER AVERAGES
1. supersoon - 8.429
2. aaronhansome - 8.190
3. ohdenny - 8.022
4. Can't Speak French - 7.960
5. Mr.Arroz - 7.956
6. Push - 7.876
7. WarmBlood11 - 7.792
8. allyshone - 7.752
9. theincredibleflipper - 7.739
10. RetroPhysical - 7.646
11. ThighHighs - 7.624
11. Sam De Jour - 7.624
13. scottdisick94 - 7.619
14. Oceandrive - 7.611
15. constantino - 7.584
15. K94 - 7.584
17. P'NutButter - 7.571
18. Syzygyz - 7.553
18. Lost In Japan. - 7.553
20. AlmightyAloud - 7.509
21. LTG - 7.482
22. Pinkieshy - 7.469
23. Petty Mayonnaise - 7.465
24. munro - 7.451
25. Maria - 7.434
26. Zdarlight - 7.398
27. EnsnareTheSenses - 7.384
28. Remorque - 7.363
29. Laura Vanderbooben - 7.350
30. Remyky22 - 7.314
30. Alouder98 - 7.314
32. Itty Bitty Piggy - 7.305
33. dodoriazarbon - 7.288
34. lalaclairi_ - 7.279
35. eccentricsimply - 7.265
36. vikeyeol - 7.250
37. beyoncésweave - 7.243
38. RainOnFire - 7.226
39. PLUTO - 7.204
40. Animalia - 7.177
41. JamesJupiter - 7.159
42. Jam - 7.152
43. AllGagaLike - 7.150
43. ohnostalgia - 7.150
45. KAG - 7.142
46. Subwaykid - 7.133
47. Terminus - 7.128
48. 2014 - 7.119
49. Conan - 7.102
50. joe_alouder - 7.088
51. BeingBoring - 7.066
52. Rogue - 7.053
53. Jonathan27 - 7.013
54. theelusivechanteuse - 6.965
55. that boy is a monster - 6.925
56. Sprockrooster - 6.916
57. strangekin - 6.914
58. First2Run - 6.889
59. RJF - 6.841
60. Aester - 6.781
61. Beginner - 6.673
61. Robsolete - 6.673
63. ericcccc - 6.615
64. Number - 6.491
64. Jersey - 6.491
66. Plethorya - 6.425
67. send photo - 6.400
68. Daniel! - 6.314
69. enjoy - 6.261
70. Wild Man. - 6.230
71. HeartSwells - 5.876
71. MrMannacroix - 5.876
73. FresherThanYou* - 5.821
74. CasuallyCrazed - 5.803
75. kermit_the_frog - 5.788
76. AlexD - 5.752
77. push the button - 5.633
78. IMHO - 5.584
79. LPMA - 5.248
That moment I have a higher average than both the hosts.
he/they
Hey @ThighHighs girl how ya doin