iheartHazey's 00s EURODANCE PARTY: We've been around the world, and we're rating it all - FINALE!

Of the remaining trio, “Rapture” strikes me as the song that’s the least polarizing. Whereas for ATC and Cascada I could foresee people giving them very high scores or very low scores.

They were all 10s for me, so I’m good whatever way. If you’re forcing me to pick, all I have to go on is that iio doesn’t necessarily feel like Eurodance to me as the other two do (or the 21st century version of Eurodance). So I’d put Rapture on 3, and then the winner would vary depending on what mood you get me in that day.
 
One last cut before our grand finale...​



























































































































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#3. ATC - Around the World (La La La La La) - 9.460

Highest: 11 (@DJHazey) 10 x 11 (@livefrommelbs, @soratami, @Ana Raquel, @AcerBenII, @Eric, @berserkboi, @iheartpoptarts, @Music Is Life, @WowWowWowWow, @unnameable, @Remorque)

Lowest:
7 (@Empty Shoebox) 7.5 (@Daniel_O) 8 (@sfmartin)

Leaderboard Chart Run: 2-1-1-1-1-1-1-1-1-1-2-2-2-2-2-2-4-3-3-3

Real Life Charts: #15 (UK), #28 (US), #11 (Australia), #1 (Austria), #10 (Belgium), #10 (Canada), #2 (Denmark), #7 (Finland), #1 (Germany), #2 (Hungary), #4 (Netherlands), #1 (Poland), #1 (Romania), #8 (Sweden), #1 (Switzerland)

For a while it looked like ATC had this. In the first half of the rate, it was practically all 10s for them—and of course, @DJHazey's early 11 didn't hurt, either! Then the 7s and 8s and 9s started to come in...

But before I get going, let's give Hazey center stage. This is his moment.

There was heavy debate between this Everytime We Touch for my 11 because they are the two songs from this rate that really changed my life as far as diving into Eurodance and eventually leading to me loving all pop music. One could argue that since I has already given Cascada my 11 in the 00s #2’s rate, that I’m being fair by honoring ATC this time. It’s not really that that helped make the decision. Honestly, I had this song on several mix CDs in college well before I ever heard Everytime We Touch. I would play this, Why Oh Why, and So Magical back-to-back-to-back. I always felt like I was interesting/cool as I pulled into the school with this blasting out of my window. I think that feeling led to me finding peace in being ‘different’ from everyone else who liked whatever was on the radio and not having to like the alternative/metal that my peers/friends all seemed to stan for. Once the internet became a part of my life, I found out that I was far from alone and found communities that not only knew what I was listening to, but loved it just as much or more. Of course singing along to this is always a life-affirming event for me. I’ve probably heard it 1000 times in my life now and it hasn't gotten old one bit and I sing to it just as passionately as I did in 2004/05.

Oh, Hazey. I think I can say on behalf of everyone here that we're so lucky the internet became a part of your life! And look at you letting me write up your 11. I'm honored. (I'll spell that the American way just for you, hehe.) Here's hoping I do you proud!

First, a reminder of Hazey faves 'Why Oh Why' and 'So Magical'. I'd embed them, but he's so on top of things that he already has! I heart my co-host.

Now back to 'Around the World'. Did y'all know it was a cover? I didn't, until we got here. The original comes from Russian pop/dance/techno act Ruki Vverh:



Translation? It's about singing a song. The same song. All day and all night, all the time, with all of your friends. Presumably because it's so catchy. Sounds like an accurate description to me!

Somehow Alex Christensen (Mr. Rollergirl, if you recall) got a hold of it, and it became ATC's smash hit debut. See also this 2002 UK radio edit:



It subsequently became a hit debut for the undeniably similiar two-boy two-girl Eurodance group beFour, as we saw earlier in the rate. Why mess with what works, right?



These days Alex Christensen is kicking it with the Berlin Orchestra, and this time he's gotten Mel C involved. I don't know how that came to be, but iconic.



(There are quite a lot of these. I'm talking two albums of these. For our 90s Eurodance winner 'Mr. Vain', he enlisted Anastacia. Paging @Sprockrooster etc. etc.)

Some other takes on 'Around the World' for your listening pleasure:

Girlicious
Auburn feat. Iyaz
R3HAB, last week
Wiz Khalifa (?!?)

Commentary

La La La La La

There are some serious ATC stans in the house who'll no doubt be sad to see them go...

@Eric (10) - my second in line for an 11. I've adored this track ever since I discovered it on a random early 00s dance compilation. The campy video, the awesome choreography, the positivity. I hadn't realised they did more than two singles until the first part of this rate, and fell in love with Planet Pop. Loved the trip down ATC lane in this thread too - a video with them riding unicorns - heaven indeed!

@berserkboi (10) - The most obvious 10 of my life! Lol. My love for ATC started as I was leaving Mauritius to live in Australia, this was a hit back home but yet to break in Australia. When it was eventually released in Australia, Video Hits had a competition to go see ATC in concert with backstage passes – you bet your bottom dollar or rupee I entered, but sadly only got the CD Single, nothing else L My world didn’t go La La La at all then but this song gladdens my heart like nobody’s business!

Indeed, we've got memories from all around the world of this one!

@WowWowWowWow (10) - PJ OLD ALERT: I was in high school when this song came out and we had an exchange student from Germany who was appalled that I liked it so much. I was appalled in return that she clearly had no taste!!!

No matter how you look at it, it's a Eurodance staple...

@Untouchable Ace (9.7) - This is a part of pop-culture now isn’t it?

@Music Is Life (10) - Listening to this again, I'm pretty sure I knew this as a kid, which probably fueled my 10, but it deserves it anyway cause it does exactly what music like this should, and does it amazingly well.

@Seventeen Days (9.5) - A timeless bop. That constant twinkly synth is a classic, plus the constant “la la”s are a surefire way to get the song lodged firmly in your brain.

@sfmartin (8) - Isn’t this the go to song for Eurodance? I mean it’s good bad nothing out of this world

It was even predicted as a likely winner...

@livefrommelbs (10) - Issa classic for a reason. That synthline at the top of the song? Iconic. The almost mysterious-sounding first verse? Incredible. The way the bass just explodes in under that first 'La la la la la'? Ingenious. The key change at the end? Amazing. This is truly noughties Eurodance of the highest order. Hearing it again in the rate reminded me just how much I stan it. Wouldn't be surprised to see this one taking out the top spot.

But @Remorque must've guessed what was coming, because we just got this comment in earlier today!

@Remorque (10) - I've always loved this song and I still remember buying the album and... not really listening to anything other than this and My Heart Beats Like a Drum. I have recently revisited it and I did enjoy it, but let's just face the fact they weren't an album act. Still... Classic. When this was released my neighbourhood held its yearly celebrations and this song was constantly on the speakers to the annoyance of everybody but me. Kii.

Yearly ATC celebrations for everyone pretty please.

 
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Cascada vs. iiO … Well the script has been written. Both have actually done a achieved something by somehow besting fan favorites, ATC. I mean I definitely had "Around the World" pegged as a pre-rate winner and was excited to have my 11 attached to a winner in one of my rates, which has never happened.


We all know who the underdog is here, it's iiO without a doubt. I always knew they would be in the Top 10 somewhere, but this high? Na-uh. Cascada, I was pretty confident they'd be battling with ATC here.































































































Well as you saw, ATC got out to that early lead and then emerging from the smoke a new contender emerged, out of nowhere seemingly...














































































































The came across the pond, an American-based Eurodance group beating them all at their own game. Who would've thought?














































































Who am I kidding? There's no way to fake this, we know what happened. Queen Natalie snapped her fingers, burned down everyone else who had come to compete against Cascada, took that top spot from ATC and basically never let go. Good showing to iiO for sitting at the #2 spot to watch things unfold.

This is a Eurodance rate after all, Cascada were the ones to make Eurodance really a global game for a bit in the 00s and spawned a new generation of super-fans, such as me. This is their time to shine.







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#1. Cascada - Everytime We Touch - 9.640

Highest: 11 (@soratami) 10 x 13 (@livefrommelbs, @Ana Raquel, @AcerBenII, @Eric, @iheartpoptarts, @Music Is Life, @Seventeen Days, @WowWowWowWow, @Sprockrooster, @sfmartin, @unnameable, @Remorque, @DJHazey)

"Lowest": 7 (@Daniel_O) 8 (@Empty Shoebox) 8.9 (@Untouchable Ace) 9 (@2014) 9.3 (@berserkboi) 9.6 (@CasuallyCrazed)

I'm so thrilled to have a rate where both hosts gave the winner a 10, I gave Mr. Vain a 10 last time but poptarts only threw Culture Beat an 8 I believe.

Leaderboard Chart Run: 2-2-1-1-1-1-1-2-2-2-1-1-1-1-1-1-1-1-1-1

Real Life Charts: #2 (UK) #10 (U.S.) #61 (Australia) #7 (Belgium) #50 (Brazil) #5 (Europe) #2 (France) #5 (Germany) #10 (Netherlands) #1 (Sweden) #50 (Dutch 2006 Year-End Chart) #12 (French 2006 Year-End Chart) #5 (Swedish Year-End Chart) #52 (German 2006 Year-End Chart) #15 (UK 2006 Year-End Chart) #31 (Billboard 2006 Year-End Chart)

My Commentary: From the instant I heard this at work one day, I was hooked on Eurodance. I had to learn who this was, what this music even was, I was in a state of shock. For a few years I had been dipping my foot into ‘techno’ but nothing like this, something so poppy, so catchy, with a mesmerizing vocalist singing like an angel! I dove into everything I could find from that day forth, so deep that my 00s Eurodance library was ridiculous. There are songs from those days I don’t even have anymore and often have ‘rediscover parties’ with myself late at night. The youtube rabbit hole is crazy my friends. It all comes back to this song and I’ll never stop thanking it for the rest of my life.

So like I mentioned with the ATC commentary, I knew some songs that were 'poppy eurodance' but nothing with the instrumentals exactly the way Cascada does them. Their success led to a wave of what some called 'hands up' Eurodance in the mid 00s and my mission was to find all of it. I ended up with a big library of favorites, some have passed the tst of time and some haven't but like I said I have this song to thank for everything.

In their early years Cascada was mostly a cover band but if you listen to their first two albums you'd find a bunch of original tunes too that are amazing. This was partly one of those covers as it uses the chorus from Maggie Reilly's 1992 song of the same name:



Now I'm just going to send anyone who has never listened to Cascada's early material down the journey to new bops. So I actually like their country cover of "What Hurts the Most" quite a bit and it's their only other U.S. hit besides the two songs in this rate:



The title-track from their second album Perfect Day is just as catchy as "Everytime We Touch" if you ask me:



From that album be sure to hear Dream on Dreamer, Because the Night, Who Do You Think You Are, What Do You Want From Me (a personal fav) too.

Always sure to be an instant favorite on this forum, it's "Bad Boy"



Then you've heard @WowWowWowWow name drop "Ready For Love" before, well it's with reason. get your lives:



How Do You Do!, Miracle, A Neverending Dream, One More Night, Wouldn't It Be Good, and Love Again are the other major highlights from the debut.

Commentary

@livefrommelbs (10) - A strong, STRONG contender for my 11. Definitely in the top 5 tracks in the rate, and a classic for a reason. I still hear it every now and then when I'm out and it STILL goes all the way off. Like many, this was the first Cascada track I heard and I remember being utterly GOOPED by Natalie's voice. So smooth, so emotive, so clear. She's always given Cascada that extra push, but there's no denying that the production is best-practice eurodance as well. An iconic chorus in eurodance and pop in general.

That production yes, the 'synth chorus' after the real chorus is the best Eurodance sound for me too.

@Ana Raquel (10) - A huge contender for my 11 ("Bad Boy" was an instant 11). AMV culture is real!

I've linked it above! :D

@Eric (10) - a very, very close call for my 11. Gloriously euphoric, flawless vocals and brilliant instrumentallAND excellent use of a library card catalogue.

I wish Natalie had been my librarian in high school/college, I definitely would've spent more time there.

@berserkboi (9.3) - I used to find this so annoying back in the day, I have warmed up to it over the years.

Natalie the libraraian educates mr. berserkboi.

@iheartpoptarts (10) - You really wouldn’t have expected this kind of thing to go US top ten in 2005. A pop miracle. The power of Cascada.

Yes, remember when we got Becky G to win a PJ Chart back in the day? Kind of like that miracle.

@Seventeen Days (10) - ETERNAL BOP. I still can remember everything about the first time I heard this song, and it carries fond memories of being in my early 20s.

Same here, this and Avril have those qualities for me more than anything else in my life.

@WowWowWowWow (10) - Maggie Reilly who? Inescapable yet enduring.

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@Sprockrooster (10) - This woman slayed my very existence during a eurodance party in the Netherlands. The vocals. The crowd. A moment.

We've heard about this cionic perfomance mroe than once, where's the vid?

@sfmartin (10) - Such a bop. You couldn’t escape this during my uni years but it never got old.

I always ran towards it.

@unnameable (10) - the Cascada formula of start slow and then send the beat through the roof works amazingly on this song. How come there are two songs covering Maggie O’Reilly in this rate – was she massive in Germany?

I was going to say that I know her name being covered more than this.

@Untouchable Ace (8.9) - She had party bus anthems down to a tea.

One of those I want at my wedding, birthdays, funeral etc.

@Remorque (10) - Though this is nowhere something I actively listen to genre-wise I do love me some Cascada. Natalie's voice is perfectly suited for this song and it's been a guilty pleasure of mine ever since it was released.

Natalie's voice is the best in this particular genre of Eurodance just like Silvy's is my fav for that and Desiree Hagman (Bambee) for bubblegum.

@Music Is Life (10) - I remember this from my childhood as well, and it's an epic dance song still. Love her voice on this, she really makes you believe what she's singing. Love the verses a little more than the chorus to be honest, but it always gets stuck in my head.

You literally knew some of the most important songs as a child. Bless.

EVERYTIME WE TOUCH
 
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It put up quite the fight, but fell just short of the top spot...



























































































































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#2. iiO - Rapture - 9.500

Highest: 11 (@Seventeen Days) 10 x 12 (@livefrommelbs, @soratami, @2014, @berserkboi, @iheartpoptarts, @CasuallyCrazed, @WowWowWowWow, @Sprockrooster, @sfmartin, @unnameable, @Untouchable Ace, @Remorque)​
Lowest: 6 (@AcerBenII) 8 x 2 (@Ana Raquel, @Daniel_O)

Hazey: 9

Leaderboard Chart Run: 2-6-4-5-10-6-7-6-4-5-5-5-4-4-4-4-3-2-2-2

Real Life Charts: #2 (UK), #44 (US), #2 (Australia), #7 (Brazil), #4 (Canada), #10 (Denmark), #3 (Greece), #9 (Ireland), #8 (New Zealand) #3 (Portugal), #2 (Romania)

@livefrommelbs had it all figured out.



Seriously, give him an award.

'Rapture' was always a lock for our top ten, but it didn't seem at first like the win was within reach. Then it started climbing... and climbing... and climbing...

Needless to say, it's been suspenseful even for us!

iiO was singer-songwriter Nadia Ali and producer Markus Moser. They borrowed their name from the Sony laptop Vaio, which comes from the land of the Zens and the Zunes. Nadia used to write her lyrics on one. Sadly they are now extinct. Post your fave old gadgets like it's 2005 or whatever.

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Luckily iiO saw fit to change a few letters so they wouldn't get sued, because the Eurodance world didn't need more ATB/ATC drama!

'Rapture' was written about an Australian man Nadia met in a club. All of y'all in Australia go find him, he must be awesome. As tends to happen with these songs, it blew up when an influential DJ got on board with it. This time we're talking about Pete Tong of BBC Radio 1. I don't know who that is but I bet the UK posters do.

Pretty soon it was an Ibiza fave, and huge names in dance were getting their remix on. Here's one for the trance fans because we kicked out all your stuff before the finale. (Hey, at least you weren't on team bubblegum!)



Ooh. Speaking of team bubblegum (not necessarily in this rate, but forever and always), here's some of my fave @DJHazey commentary...

Silvy might have my favorite voice in the rate, but Nadia’s is certainly the sexiest without a doubt. Her singing here is pure seduction, on another level. The beat is off the charts too. I want to make love to this song at least once in my life, I’m serious.

Do it.

And now for more iiO! Follow-up 'At the End' wasn't exactly 'Rapture' levels of ubiquitous, but trust me, you don't wanna miss it...



Or 'Is It Love', for that matter...



Nadia went solo in 2005, but iiO continued on... sort of. When sophomore album Exit 110 came out in 2011, Nadia made it known that she'd had nothing to do with it, though it incorporated her vocals and lyrics from ages ago. Moser said he'd done it for the fans.

So was there drama? Who knows. I'll give them the benefit of the doubt. Interestingly, a solo 'Rapture' by Nadia had been released on one of her remix compilations a little earlier...



Her most recent work is the experimental project HYLLS, in which she trades dance for indie pop. Maybe we won't talk about that today.

Commentary

iiO

The Nadia fan club is out in full force...

@livefrommelbs (10) - Flawless and iconic. Nadia Ali has such a fantastic voice, and that chorus is one of the all-time greats in dance music. So sensual.

@WowWowWowWow (10) - The way Nadia slinks her way through these vocals… oh yes!

The chill factor was a plus for some...

@sfmartin (10) - Just so effortlessly cool.

@Eric (9.5) - this one is very melodic and falls into my car trip rather than dance floor category. Lovely to revisit.

iiO's late charge came as quite the surprise...

@Music Is Life (9.5) - I may have overscored this a bitsy, but is still a great dance song and I enjoy it. The vocals are great too. Don't think it should be in the top 15 though.

Could our would-be 11s have taken it all the way?

@Untouchable Ace (10) - I have elevened this before and it is perfect but I am needed elsewhere.
now everyone go listen to 'At The End' again.

@berserkboi (10) - Absolutely divine, there is technically no better song on this playlist from the instrumental, the lyric, the nonchalant delivery and the build. I hope it takes the whole thing despite my 11 going elsewhere…

(Close but not quite—I tried it. Rest easy!)

11O

@Seventeen Days (11) - This song has been a favorite of mine every since the first time I heard it way back in 2001, and I had a feeling it would end up being my top track. This song wins my 11 because it has the elements I love most in any good bop: a catchy chorus, fantastic vocals, and of course the “la la” hook. A dance floor classic for years to come.

And it almost won the rate, too!



 
My oracle services will be available for all future rates and contests!

What a fantastic top 3, and the right winner imo. Like @DJHazey said, no song really embodies the spirit of 00s eurodance quite like Everytime We Touch. It's such a classic so it was great to see it win! Amazing effort from Rapture, though.

Speaking of amazing, thanks a MILLION to @DJHazey and @iheartpoptarts for running this! It was so much fun and I've loved every page of it. I'll thank you by tracking down the Australian man Nadia wrote Rapture about.

I'm keeping him for myself, but at least you'll know who he is.
 
he/him
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Overall Average: 7.293
Top Scorers:
@Ana Raquel (9.462), @Eric (9.292), @Untouchable Ace (8.908)
Lowest Scorers:
@Empty Shoebox (3.538), @berserkboi (5.577), @Daniel_O (5.769)

Favorite Subgenre: DJHazey, Ana Raquel, Eric, Sprockrooster, Untouchable Ace

Final Ranking

#1. Cascada - Everytime We Touch - 9.640
#14. Sash! ft. Stunt - Raindrops (Encore Une Fois) - 8.058
#15. Groove Coverage - Poison - 8.015
#22. DHT - Listen to Your Heart - 7.710
#23. Kim Sozzi - Break Up - 7.625
#24. E-Type - Paradise - 7.545
#29. Flip & Fill - Shooting Star - 7.260
#32. Basshunter - All I Ever Wanted - 7.135
#34. E-Type - True Believer - 7.095
#37. Groove Coverage - Moonlight Shadow - 6.930
#39. Basshunter - Now You're Gone - 6.885
#48. Scooter - One (Always Hardcore) - 5.565
#49. Manian - Welcome to the Club - 5.353


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Overall Average: 8.279

Top Scorers: @Music Is Life (9.542), @Eric (9.396), @berserkboi (9.367)
Lowest Scorers:
@Daniel_O (6.000), @Empty Shoebox (6.167), @2014 (6.917)

Favorite Subgenre: livefrommelbs, soratami, AcerBenii, berserkboi, CasuallyCrazed, Seventeen Days, Daniel_O, Empty Shoebox, sfmartin, Remorque

Final Ranking

#2. iiO - Rapture - 9.500
#3. ATC - Around the World (La La La La La) - 9.460
#5. Cascada - Evacuate the Dancefloor - 9.085
#6. Sonique - It Feels So Good - 9.080
#8. DJ Sammy - Heaven - 8.620
#9. Infernal - From Paris to Berlin - 8.583
#10. ATC - My Heart Beats Like a Drum (Dum Dum Dum) - 8.410
#11. Kate Ryan - Only If I - 8.243
#26. French Affair - My Heart Goes Boom - 7.490
#27. Da Buzz - Alive - 7.383
#40. O-Zone - Dragostea Din Tei - 8.835
#44. Sarina Paris - Look at Us - 6.660
 

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