The bonus tracks feel so badly produced next to the rest of the album, which regardless of how I feel about the music always sounds expensive and well made. Both "Busy Woman" and "15 Minutes" are good songs but the production sounds... strange, like the mastering is all off.
I'm also kind of curious to see where she goes from here, because she's leaned into the, "tee hee split me in half omg who said that???" angle hard across this era in almost every way and you can kind of see the edges beginning to somewhat fray. It's not a case of her immediately having to switch up her sound or anything, but I do think she leans hard into a certain... submissive, plaintive perspective in her songwriting on this album that might wear thin if we go for another round of it. It's not that big an issue; she clearly has the pen to do all this, it's just a matter of whether or not she wants to.