They/Them
He’s aging like a fine wine. I never gave his solo stuff much attention but I’ll reintroduce myself to it ASAP.
"Too Much Music" is out tomorrow with first play on Zoe Ball's Breakfast Show.
Single artwork
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Just updated this with track lengths and writers.Tracklisting
- Too Much Music - 4:38
Vaughn Oliver, Jason Sellards, Dominic Thomas & Ryland Blackinton
- Do The Television - 4:38
Scott Hoffman, Vaughn Oliver, Jason Sellards & Ana Lynch
- Voices (feat. Kylie Minogue) - 4:26
Kylie Minogue, Vaughn Oliver, Jason Sellards & Oliver Goldstein
- I Used To Be In Love - 3:28
Alexander Ridha, Jason Sellards & Michael Cheever
- Really Big Deal - 2:52
Jason Sellards & Stephen Oremus
- Last Man Dancing - 4:51
Alexander Ridha, Jason Sellards & Michael Cheever
- 8 Ball (feat. Le Chev) - 4:30
Alexander Ridha, Jason Sellards & Michael Cheever
- Devil Came Down The Dance Floor (feat. Amber Martin) - 3:44
Alexander Ridha, Jason Sellards, Amber Martin & Michael Cheever
- Mess Of Me - 4:14
Alexander Ridha & Jason Sellards
- Doses (feat. Big Freedia) - 2:54
Alexander Ridha, Freddie Ross, Jason Sellard, Michael Cheever & Suzannah Powell PKA Boyfriend
- Radio Eyes - 5:29
Alexander Ridha, Jason Sellards & Michael Cheever
- Diamonds Don't Burn - 4:19
Jason Sellards & Michael Cheever
Loving Too Much Music on first listen.
There's a official webstore exclusive with an alternative cover and 2 bonus tracks including Meltdown (@Punka) and Do The Television (Totally Enormous Extinct Dinosaurs’ Primetime Mix).
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So glad he’s not placating to the 2:30 song length popularity.Just updated this with track lengths and writers.
Shaking and crying!!! Night Work remains one of my favorite albums of all time and arguably the band’s apex. The flow, in particular, is part of its magic, and it’s so gratifying hearing him appreciate the artistry they managed there despite its underperformance. Dad delivers. We won!!!“The second half is one big piece that’s all connected: all the songs move into each other and it grows in intensity,” the 44-year-old beams. “It gets very clubby and psychedelic. I’ve always made stuff you can play at a party, but I’ve never made anything I could pull out at 1am if I was DJing in a club. One of my favourite things the Scissors ever made was the second half of ‘Night Work’, and I wanted to make a piece that was even stronger than that.”