I think
@RJF brought up a fascinating point with Katy’s lack of a core fanbase. Those fans couldn’t (and shouldn’t) shield her from all the deserved criticism she’s getting this era about her choice of collaborators, but with their help, she may have avoided this single being one of the most monumental (and surely expensive) flops of the last decade or more.
Even the most mid pop girls tend to have a very vocal fanbase that can cushion their faves with pre-orders, buying variants etc., so it’s wild to me they’re just
not here for her. Yes, she’s got the cretins laying into Kesha right now but those cretins don’t seem to be listening to her music.
To use Gaga as her most contemporary reference point, Gaga pretty much revolutionised what it meant to be a modern stan. And from almost day one, made it clear she was
for the fans and fostered the growth of a fanbase around herself. Katy seemed mass produced for the GP, the straights, and was such an all-conquering behemoth in her heyday that I guess the diehards never latched onto her?
Though as I think
@mindtrappa also mentioned, Katy’s comedy and the way she presents herself in public (completely reaffirmed in a big way with her approach to the visuals and surrounding media again with this single) is so painfully of its time and has aged like milk. It’s just not what anyone is clicking with or wants to, in 2024. Very FunnyOrDie coded.
It’s a interesting case study.