I feel like she saw the criticism and took it as "why is a MAN producing a song called Woman's World or a song dedicated to Katy's daughter like Lifetimes", so her response was entirely about that, when the real criticism was why is an alleged RAPIST producing these songs.Kind of shocked that question got the green light...but the answer wasn't even a real answer. Did they really think this would settle anything instead of making it worse?
The fact that she couldn't bring herself to look past some minor ancient beef with Bonnie for this era but was willing to make a whole album with Luke says so much."People that I've collaborated with from the past, from 'Teenage Dream' era" while Bonnie chain-smokes by her 1970s-style neon orange rotary phone waiting for it to ring
This was an impossible question to answer for someone about to drop an album with his credits all over it. I'm kinda surprised she even allowed the question to be asked.
The fact that she couldn't bring herself to look past some minor ancient beef with Bonnie for this era but was willing to make a whole album with Luke says so much.
They’re both a choice.Being a Katy Perry fan is harder than being a marine.
This is unrelated to the general conversation but I remember so clearly in an interview back in the day Marina saying that a 'very big popstar' heard How To Be a Heartbreaker before it came out and really wanted it, and Marina had to refuse.Obviously we will never know what really went on behind the scenes, but I've always felt like 95% of the concepts and lyrics from the big Teenage Dream era hits were Bonnie's ideas. I mean, look at Bonnie's "Hot City" album... it was written around the same time and is basically Teenage Dream 2.0. Bonnie said on a podcast very recently that back in the day Katy asked her to send over some of the demos from "Hot City" so she could hear them, and Bonnie said no. Katy got annoyed and said something to the effect of "Why? Do you think I'm going to steam them?" I think that pretty much says it all. Bonnie has said numerous times that the title "Teenage Dream" was very hard for her to give up, and she shared some of Katy's early lyrics for the song... which were something about Peter Pan and incredibly cringey (v on brand for Ms. Perry).
Bonnie also said that she went home and wrote "Part of Me" in one night, and Katy was so thrilled with the song and said "I'm going to buy you a car"! which is so f'n condescending, lol. From what I gather, it's pretty clear that Katy, Luke and co. knew that Bonnie was lighting in a bottle at that time, and Luke led her on with the promise of making her an artist in her own right if she kept delivering hits for Katy, Britney, etc. I think the fall out started when Bonnie tried to go out on her own, and her style and sound were (obviously) very reminiscent of Katy's. She was performing her "hits medley" everywhere and introducing it as "the songs that I wrote". I doubt that sat well with Katy. Bonnie has said she's tried to reach out, but last heard from Katy (via text) in 2020. IMO Bonnie is the missing piece of the puzzle in recapturing that era, and Katy's getting a big slice of humble pie which is exactly what she deserves. ¯\_(ツ)_/¯
Thanks for reading my essay!
One of the few blessings of being an American is being able to avoid that thread entirely.But have you seen the pineapple discussion in the Sugababes thread?
We accept the threads we think our eras deserve.This thread is a mess.
Woman's World? Being played on the radio?The way the local church’s bell was set off right as she was screaming about giving a blowjob. I love demonic synchronicity.
Also Lifetimes is meh, and Woman’s World isn’t as terrible as people here make it out to be. Do I seek it out intentionally? No. But I won’t go out of my way to change the station if it came on the radio.
Yeah, Bulgarian radio plays it all the time… ”Perks” of living at the arse end of the world.Woman's World? Being played on the radio?