She said the album is basically an amalgamation of all her albums and that’s pretty much true. Cry and Teary Eyes feel like Witness. Tucked and Daises feel like Teenage Dream. Smile and End of the World sound like Prism era songs. What Makes A Woman is the closest we get to a One of the Boys moment. Harleys is unlike any of her past songs to me. She’s never done that sort of slow groove, low key vibe on that kind of track before. If that makes sense.
Did anyone really expect Katy to get good reviews though dd?
Its not about that, its about the weird criticisms within them. They're all personal or just... weird, like she's not allowed to release this because we're in a pandemic?
How? Did I miss some super exclusive bundles or something?I’d be ordering the Japanese edition if I hadn’t just blown $80 on Mariah’s new compilation dd
Pitchfork/NME etc. will always find negative things to say about her because she's not one of the "chosen ones" and the whole poptimism bollocks has never been extended to her. It's ridiculous but my point is that Katy fans of all people should know not to worry about her reviews.
That NME review is so weird. It praises the album, says that it’s her best work in years and calls out particular highlights but then backtracks in the final paragraph to say that it’s lazy?The review on NME is even worst:
https://www.nme.com/reviews/katy-pe...M-SQtcG2QvZZm5NPee8sBH89zmEYSBsDGr2PYrH7hSWtY
Yes it reads more like three stars.That NME review is so weird. It praises the album, says that it’s her best work in years and calls out particular highlights but then backtracks in the final paragraph to say that it’s lazy?