Kylie Minogue - Tension Tour 2025

I don't get why no one understands that this tour is meant to be a club. It's Kylie's SWEAT Tour. All her recent music and her latest hit single were club songs, it makes sense for her not to come out with a theatrical show.

I wish!!! Imagine the new mixes we could've got for the oldies.
 
The only song I'd actively remove from the show is Monday Blues, I just cannot get into it at all.

No-one asked but given the songs we have, I'd arrange them like this:

ACT I
1. Padam Padam
2. Timebomb
3. What Do I Have to Do
4. Can't Get You Out of My Head

ACT II
5. Lights Camera Action
6. Shocked
7. Edge of Saturday Night
8. last night i dreamt i fell in love

ACT III
9. Supernova
10. Come into My World
11. Good as Gone
12. Hold On to Now
13. All the Lovers

ACT IV
14. Spinning Around
15. Real Groove
16. Slow
17. Confide in Me

ACT V
18. Taboo (Interlude)
19. I Believe in You
20. Say Something
21. Things We Do for Love

ACT VI
22. Tension
23. In Your Eyes
24. Get Outta My Way
25. Where Does the DJ Go?

ACT VII
26. On a Night Like This
27. Better the Devil You Know
28. The Locomotion

ENCORE
29. Love at First Sight
30. Magic (replacing Monday Blues)

I'd also potentially put Act I as Act VII and move everything else up

I didn't do this before the tour started like I usually do, sooo...taking this opportunity to post some fanfic (based mostly on what was actually performed, same number of live performances, two more interludes):

Tension
In Your Eyes
Supernova
Speakerphone (Steve Anderson mix - shorter edit, no intro and outro)
Good as Gone
Breathe

A Second to Midnight interlude

Spinning Around
Shocked
What Do I Have to Do
On a Night Like This
Lost Without You
Love At First Sight

I Love It (featuring Cher and the House Gospel Choir) interlude

Things We Do For Love
One Last Kiss (demo or some other more...electronic mix)
Edge of Saturday Night (if valid musically, with the chorus of Skirt over the beat drop parts*)
Slow
Confide In Me

Skirt interlude (chorus replaced with the post-chorus of 10 out of 10 - "body, ten" etc)

Hold On To Now
Real Groove
Better The Devil You Know
Kiss of Life
The Locomotion

Taboo interlude

Say Something
All The Lovers

Someone For Me
Can't Get You Out of My Head

Dancing (disco-fied version)
Padam

*but the lyrics of the Skirt chorus are now like this:
"Tonight be my supernova, brightest of the stars
Tonight let me bask in your light, Jupiter and Mars
Tonight I'm yours, tonight we're one"
I never liked the original lyrics for this part and having it act like a callback to Supernova for this tour seems appropriate? I found it entertaining.

Last Night I Dreamt I Fell In Love is great, but feels like it would fulfill the same role as Someone For Me and Someone For Me is superior, so I didn't include Dreamt... It could replace A Second to Midnight, Kiss of Life, Real Groove or One Last Kiss, I guess (but it shouldn't).
 
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Some thoughts....Personally, I think the issues with the tour are threefold. Firstly, she has become a victim of her own success, in that she's raised expectations so high with past tours that people now expect constant innovation (me included), but maybe this tour should be seen as a "victory lap" rather than a groundbreaking reinvention.

Secondly, the tour feels overly light and hen night-esque, and could benefit from incorporating some darker, more serious songs to balance out the tone and elevate the highs, something Madonna does really well.

Thirdly, I think she needs to experiment with a new musical director, as the current arrangements have become predictable (and used many times before) and lost the creativity that Steve Anderson was initially praised for.
 
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Some thoughts....Personally, I think the issues with the tour are threefold. Firstly, she has become a victim of her own success, in that she's raised expectations so high with past tours that people now expect constant innovation (me included), but maybe this tour should be seen as a "victory lap" rather than a groundbreaking reinvention.

Secondly, the tour feels overly light and hen night-esque, and could benefit from incorporating some darker, more serious songs to balance out the tone and elevate the highs, something Madonna does really well.

Thirdly, I think she needs to experiment with a new musical director, as the current arrangements have become predictable (and used many times before) and lost the creativity that Steve Anderson was initially praised for.

On your first point, I don't think any of us were expecting production value on an Aphrodite or even X scale. Considering the recent increase in her profile, the amount of arena dates and how well many of those dates sold (despite the price increase from previous years), people had very fairly set the bar at something a bit higher than Golden. I don't think this is a case of her team not meeting sky-high expectations.

Agreed on your second point.

Finally, I don't know if I agree with the Steve Anderson thing considering the problem here according to others (I haven't seen that many clips as I want to save most of the show for when I see her live) seems to be not that his work is getting stale, but that they are reusing stuff she's already done. In previous tours, he would re-imagine tons of songs and then those versions would make it to subsequent one-off gigs, rather than the other way round.
 
Finally watched some videos and yes it’s basically a festival staging and a bit too basic.

Doesn’t seem like the visuals are outstanding. And yes it’s fine to judge by videos. Usually when it’s a great tour, I see snippets and instantly want to see the whole thing. Outside of wanting to see Kylie generally, nothing makes feel that.

Using old mixes again is a crime. Every tour should breathe something new into old songs. I don’t need (and want) complete reworks for the sake of it, but some new bells and whistles.
 
I'm not normally one for fantasy setlists - but I couldn't resist...

The main point is that the setlist is almost identical to what we have - just reordered, and with a bit more of a structuring concept and more of a nod to her status and history.

Given the range in musical styles across Disco / Tension / Tension II, the loose concept would be that after 'Timebomb', Kylie ricochets through the last 4 decades, and winds up back at the here-and-now, during Hold On To Now. Each act would be preceded by an intro that incorporates iconic imagery / clips from that era - with soundbites from deeper cuts built into the intro, as scraps tossed to the fans.

It kind of vibes on an Eras Tour / Celebration Tour concept... but who cares.

Act I
Lights Camera Action - In Your Eyes - In My Arms
Come into My World
Timebomb

Act II - early 00s
Red Blooded Woman
Slow
Good as Gone
Love at First Sight (US mix)

Act III - 80s (think John Hughes)
Things We Do For Love
Real Groove (Initial Talk Mix)
Locomotion (Original Mix)
Story

Act IV - Disco (B stage)
Spinning Around (with Chasing After Midnight interpolation)
Disco medley -
⁃ I Love It
⁃ Supernova
⁃ Magic
All the Lovers
Say Something

Act V - early 90s rave
Confide (Big Brothers)
Shocked - What Do I Have To Do
Edge of Saturday Night
On a Night Like This
Hold On To Now

Encore I
Tension
Devil (Movers & Shakers Mix)

Encore II
Head
Padam
 
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I have my negative thoughts, but the thing I am most excited about is she will be performing two of my favourite songs (Say Something & Hold On To Now) mere inches away.

She can change whatever else but please let that b stage bit stay intact... well most of it anyway.
 
I'm still absolutely thrilled that I'll get to see her arena tour for the first time. It's hard not to be disappointed that she managed to pack more spectacle into her theatre tours of the U.S. than she'll do in her first arena tour, but, it is what it is. Spectacle aside and understanding that Ms. Minogue has decided to invest her wine millions into her personal savings account, rather than her career, I don't think 'budget' is the only reason for disappointment. This is the Tension tour and it appears that's one thing sorely missing... tension. Where's the drama?

Anyway, now that even the press is reporting on the backlash, maybe her team will wake up and realize they shouldn't just coast by on the (well-earned) goodwill and nostalgia for her.
 

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