Say Hey has never been the same since the great Body Language war. People really did the most over R&B being the direction they were going without hearing a single track. It’s still top five Kylie for me.
Johnny Douglas on Body Language (from Steve Anderson’s podcast)
“With the Body Language album... the label’s brief was ‘hop-hop with glitter’ that was their brief to me... had to figure out what that kind of means. Whilst we’re making that record we’re also on SayHey Kylie forums looking at the outrage from the fans “Kylie’s making this urban kinda of record?!” It’s not that great if you’re making an album and there’s a load of guys with machine guns wanting to kill you like it was your idea. I was the guy that was there kind of going “Disco Down” now I’m kind of this guy almost being hung, drawn and quartered because I’ve got Ludacris rapping on her record.”
It's certainly up for me.Body Language is easily the best Parlo album though? Fever and L*ght Y**rs could never.
Hang this in the Louvre.Body Language is easily the best Parlo album though? Fever and L*ght Y**rs could never.
Johnny Douglas is a successful producer that has gone under the radar a bit. He doesn’t even have a Wikipedia page. Anyone know what he’s been doing recently?*does quick search of what tracks Johnny Douglas worked on for Body Language*
Chocolate? Cruise Control?! RED BLOODED WOMAN?!!!? A king if you ask me.
*does quick search of what tracks Johnny Douglas worked on for Body Language*
Chocolate? Cruise Control?! RED BLOODED WOMAN?!!!? A king if you ask me.
And this banger:
I loved her look in this era...
A real treat seeing this in HQ via the Top Of Pops BBC4 repeats!
It suits her quite well I think.One of my favourite PWL era Kylie songs