The real tea is that the PWL-era Kylie songs that are awful can be counted on one hand.
Tea
The real tea is that the PWL-era Kylie songs that are awful can be counted on one hand.
The real tea is that the PWL-era Kylie songs that are not awful can be counted on one hand.
StopThe quality of her music began to increase the more control and say she got over what she did, rather than being given a bunch of cheesy songs she was finally able to express who she was.
It was obvious she was a talented singer with an ear for what sounded good and she didn't much, if any, say until a good few years down the road and that was only because of in-fighting between the 3 men of SAW.
As I said, there are some gems scattered about but so much of it is throwaway and not worthy of her (and some of it ought to have been thrown away)
being wrong.Kylie's PWL stuff for the most part is pretty naff and incredibly dated. Some gems exist sure, but generally what came after shows that she is capable of more and lots of the PWL was beneath her.
A quick question for anybody that could help, but I’ve been revisiting the Fever era and wonder what songs were passed on and given to other artists?
I know that Atomic Kitten’s ‘Feels So Good’ and Sarah Whatmore’s ‘When I Lost You’ we’re both originally offered with the first being recorded, but were there any others?
Would Sophie Monk’s ‘Inside Outside’ & ‘Get the Music On’ be one which were both written by Ray Hedges at the same time?
Kylie's original of Feels So Good, is probably my favourite Fever era outtake. Shame she passed it on.
What ashame that Kylie hasnt worked with Calvin Harris after he really hit the jackpot......is it unlikely they can work together, have they fallen out?