I’ve had “Daddy, I miss them… I’m in the mouuuuuuunnnnntainnnnnsssss!” stuck in my head all day. Along with “That’s how the liiiight gets in…”
Literally. The fact that Blue Banisters is considered a lower tier album from her but still managed a 80 on metacritic and didn’t get any major lashings goes to show she is actually quite respected these days by reviewers.I feel like this has been her narrative for the last four albums ddd, she believes the critics hate her, but then she gets critical acclaim...
I feel like this has been her narrative for the last four albums ddd, she believes the critics hate her, but then she gets critical acclaim...
Yeah, is this not what spawned Question For The Culture? Dd
I can understand feeling like that for her first few campaigns, but she’s never gotten more adoration and acclaim than she has been getting for the last near decade, so it’s always funny to see her be like, “when will EYE be cherished and adored and unquestioned???” like she’s not already at that point.
It is funny how I can see her influence on many younger artists, but no one seems to do it as well as Lana. She's truly in a class all her own.It’s wild recalling the how critics treated her in the early days to now seeing the Guardian write “Pop’s new generation seems to look to her as a guiding light, perhaps more than any other star; her impact on culture is outsized”.
I feel like a proud mum.