Yeah I think she’s trodden a far better line on creating an accessible visual experience but still having it be somewhat unique, for the Swedish public this time.Loreen winning Melfest this year seems like a closed book to me. I'm not even considering any other outcome. I know she flopped in 2017 but this doesn't feel like 2017. It feels like 2012.
I’m not sure how much/little of this is part of Loreen’s staging or the standard Melfest stage but either way, how sure are we that she’ll even be allowed to do build this on the Eurovision stage?