I also don't think Kim Petras adds much to this song and this could have been a Sam solo.
I don't get how hyped up they seem for this song, it's not good.
I don't get how hyped up they seem for this song, it's not good.
I feel like Sam doesn’t know what direction to go or is too nervous to really brand themselves that way musically in the long run. Honestly, whatever they release after this song will be the indicator for what’s next to come.This feels like an overcorrection to make up for the bizarre Love Goes campaign, which was clearly an attempt to pivot Sam away from being femme and explicitly queer with the original scrapped To Die For LP. But I assume the label views things differently after Lil Nas X dominated last year. They should have just gone with what Sam was initially going for on To Die For, as opposed to whatever this record is shaping up to be.
It’s been a while since I’ve been so…disturbed by a song. Like I haven’t listened to it since my first play earlier and I’m still shook at what I heard. It’s like it has left me haunted. Just such a bad vibe around this whole thing.
They are not a man.There's also something insanely cringe about this white man who got his start singing ballads switching to lyrics like 'She be poppin it'... he's down bad.