I think this is my unexpected surprise of a stacked week.
The singles didn't really hit for me on their own, so I almost wrote this off entirely. I'M GLAD I DIDN'T, because after playing it through in full (multiple times now), it's quite a powerful album. For me, the album (mostly) gets progressively better as it descends through the tracklist, so I was shocked as I found myself loving each new track more than the last. The second half is almost straight 10s. The sequencing is great: it starts off punchy and wild, then enters a sort of sci-fi proggy atmospheric section with the ballads, pivots into what's basically grunge metal for a couple tracks (?!), gives us a Pat Benatar moment, and then finishes with a shoegaze cover of what might be my favorite My Bloody Valentine song (and might be the best thing here?).
I can't pretend to understand all of her choices: the production/mixing might be an acquired taste for most, but this album gives me the same rush as I felt listening to Sasami's Squeeze. Spellling's music feels so confidently unfashionable and not-modern in 2025 that it somehow circles back into sounding very fucking cool. I need more art school girls to embrace hard rock. That is all.
Top 5: Sometimes, Drain, Mount Analogue, Satisfaction (I love the metal moments, sorry), Destiny Arrives