Actually I've realised we have a tie between Nek and the song that's leaving now.
So which is the second song that leaves us at #32?
Well yes it's the last Austrian song that remained in the contest.
#32
Falco - Jeanny
Picked By: @Filippa
Credentials: Gold in Germany and The Netherlands, #1 in Austria, Germany, Switzerland,The Netherlands, Norway, Sweden, #2 in Belgium, #5 in Japan (about 500.000 units sold)
Average Score: 7.4273
Highest Score: 10
@daninternational,
@Filippa,
@DominoDancing,
@Remorque
Lowest Score: 2
@Ezz
Falco. What a legend. At least in Austria.
Jeanny. An absolute classic. The song was scandalized in Germany, but that added to the success. Some sources claim that the song sold about 2.5 million units the year it was released …
At first you have to know that Falco is - like Conchita - a stage persona. Johann (“Hans”) Hölzl - the real guy - was the one surviving kid of triplets, his musical talent showed early, at the age of five he was attested to have a perfect pitch. And he seemed to be a sensitive guy, at least his fellow students described him like that. Politically - like many artists - he was a socialist. He has asked the guy who tried to promote him in the US, if that what he does, isn’t stealing from black culture, so he thought about cultural appropriation back in the 80s. In the end he couldn’t do it, he cancelled the US tour because of something like a burn-out and couldn’t repeat the success of this album later. He didn’t cope well - he was alcohol and drug addicted. His relationships didn’t last and the girl he believed to be his daughter wasn’t his daughter biologically. He died in a car accident in the Dominican Republic. He had a relapse after being sober for some time …
Falco was a different matter. He developed a kind of high German which let him appear very arrogant and he definitely wanted to provoke. But certainly, the dividing line was difficult, and no-one could know where Hans ended, and Falco started …
The song is about a stalker who may or may not have murdered his victim before getting imprisoned. In Germany the song was criticized for glorifying violence. And many radio stations followed this call with not playing it. This might have added to the success of the song.
Falco was a lyrical genius; he had a way with words and how to pronounce them that you exactly get what he means. Listen to the first verse of Jeanny and you will know what is happening without any further explanation needed.
Jeanny komm, come on, steh auf, bitte, du wirst ganz nass. Es ist schon spät, komm. Wir müssen weg hier, raus aus dem Wald, verstehst du nicht? Wo ist dein Schuh, du hast ihn verloren, als ich dir den Weg zeigen musste …
Jeanny come on, come on, get up, please, you’re getting wet. It’s late, come on. We have to get away from here, out of the forest, don’t you understand? Where is your shoe, you have lost it, when I had to show you the way ….
The second verse shows us what triggered the culprit, it was a red lipstick. “Too much red on your lips”. And then the climax “Now I hear them. They come to fetch you. They won’t find you; no-one will find you, you are with me”.
It was the first song of a trilogy, the second “
Coming Home” appeared on his next album. Falco himself talked about that it proved that Jeanny lived, but I don’t see it that way. You have to question what he says in interviews. Mostly it was very ironical and far away from the truth. He once said that he was glad that “der Schnee, auf dem wir alle talwärts fahren“ (Der Kommissar) could be interpreted in many ways, he himself had never thought about coke, no never ever …And so anything he said about Jeanny wasn’t what he really thought because he clearly wanted to make a strong statement by pretending to be the culprit. He was taken by surprise by the scandal that the song evoked in Germany and I think it was because they completely missed the point. He also said that the following parts will show that it’s Jeanny’s fault that she played him so that he went crazy. Here he hints at the part of the video where he is already imprisoned, and his crazy mind shows Jeanny making fun of him and laughing about him.
But if you listen to the second part and watch the video these are still the fantasies of a very ill man who is imprisoned because he is too ill / dangerous to be set free. He was addressing the problems we had then, people discussing if the victim of a sexual assault is to be blamed because of wearing too short skirts or maybe too red lipstick.
The most interesting detail to me is that the song is said to be inspired by Jack Unterweger, an Austrian-US serial killer. In the 70s he was sentenced to life-long prison for murdering a young woman in Austria. In prison he got a proper education and turned out to be a gifted writer. So, a campaign to get him pardoned by the leading Austrian (left winged) artists started. They believed that Jack Unterweger was a victim himself (because of his really bad childhood) and prison helped him to come to terms. Jeanny, the song and the video should have put further pressure on the authorities to free the man. But I’m not sure if this is true either. Because neither in the song nor in the video I can see anything that gives a positive prospect for this crazy guy.
Jack Unterweger started murdering women the moment he was set free again by the way. As he committed suicide the night after he was convicted of murdering nine women in Austria, in Czech Republic and in the United States, his conviction never got legally valid. I think that’s quite a problem in the Austrian legal system, because the relatives of the victims deserve certainty if the culprit lives or not.
What did PopJustice think?
@jtm (7): A classic!
@Epic Chocolat (8,2): Decent chorus, potent vocals, great performance, very dramatic.
@WowWowWowWow (6) My Amadeus was unrocked by this song to be honest.
@pop3blow2 (7.7): I’ve always wanted to like this more than I do. I appreciate it’s oddness & drama. It’s not bad, but just doesn’t connect with me, though.
@Filippa (10): This song is a masterpiece. There is this crazy stalker, this strong chorus and then this beautiful riff, instrumental melody which could represent Jeanny. A very haunting song.
@DominoDancing (10): Still the creepiest pop song ever, even 35 years later.
@saviodxl (8): Falco is not a one-hit-wonder? This rate has been very educational!
@Phonetics Girl (5.2) listened to the Polish version by
Ich Troje and it was a scream. useful when you can't speak German and get warflashbacks to classes with annoying listening comprehension exercises cause the lector sounded like he was chewing on gum the entire time, though.
@Ezz (2): I'm sure this must have a fanbase somewhere
@daninternational (10) The problem with moving to Germany without much knowledge is that music is judged on a different level. The whole concept of this song is sickening, but after hearing it at karaoke the first time I realised how simple it is to sing, and so I started singing it. I find it a hard song to rate knowing the context, but for me personally it brings back positive memories and I'm rewarding that.
@TéléDex (9): So, so wrong, but how can anybody dislike music for dramatic effect?
@MilesAngel (4) I know this is supposed to be creepy but I don't enjoy listening. Although the chorus is good.
@berserkboi (9.2) This is a lot more atmospheric and immersive than I was expecting, I kinda stan?
Jeanny
Rock Me Amadeus (the only German language song which peaked at #1 in the US)
Der Kommissar
Junge Römer
Out oft he Dark
This song was released posthumously, it’s about his addiction of alcohol and drugs. When it was released, people thought Falco has announced his death and that the accident was really a suicide (Muss ich denn sterben, um zu leben - Do I have to die, to live). But that’s not very likely because he already performed the song live a year before he died.