So! Would you like another elimination?
Another predictable one, at that! But from here on out, it's really anybody's guess as to what might go...
81. Lullaby - Shawn Mullins
Average: 3.979
Highest scores: 3 x 10 (
@DJHazey ,
@berserkboi ,
@unnameable )
Lowest scores: 4 x 0 (
@Mirwais Ahmadzaï ,
@Blond ,
@HarryEzra ,
@br0dy )
Weeks at #1: 2 consecutive airplay (#7 on the Hot 100)
Year-End Hot 100: #46 (1999)
Ah, yes. Speaking of one-hit wonders, here's one of the decade's most derided! This was a good decade to be just a guy with an acoustic guitar, nothing more and nothing less. Case in point: Shawn Mullins, the Georgian ex-military singer-songwriter who got this one massive hit, and little else besides a couple of other minor hits on the adult-pop stations. And to judge by the reception of it here, and its score (being that he is an acoustic guitar guy in a multiple-artists PJ rate), I think I see why people didn't want more of him...
Though I don't like it that much, I wouldn't say that “Lullaby” is
quite in the bottom tier of crap for this rate (both halves). For one thing, it actually has some fairly decent guitar work. I'm particularly fond of the build-up to the second chorus, as Shawn comes in with some harder guitar strums and some textured distortion mounts up to ramp up the tension. The central acoustic riff is nothing too special, but it gets the job done well enough with a nice combination of palm-muted lower notes and upper-string chording, the melody is pleasant in an unobtrusive sort of way, and I like the piano fills. I do wish that we had some more organic percussion, rather than the stiff drum loops that marred a lot of late-90's adult alternative, and the guitar solo is pretty weak, but instrumentally, it's not too bad at all overall.
But then... we have to get to the vocals. Now, Shawn Mullins' singing voice is not anything special; it's the same slightly congested croon that a lot of these 90's acoustic guitar guys had, and the nasally, sloppily-arranged backing vocals that come in from the second chorus do him no favours either. I really like the way he hits the “everything is gonna be alright!” line, sliding from falsetto to chest voice nicely to make it work as an effective if simple hook, but that's about it. But I'd certainly prefer a whole song of his singing to the spoken word he uses on the verses. Maybe it would be better if he wasn't using
that sleazy raspy tone of voice. Good God, he sounds like a creeper heavy-breathing down a bad phone line! That one weird choice pretty much wrecks the entire song. Not to mention, it also puts a bit more focus on the lyrics than you would probably want. There's no unborn children in eyes or money hanging out of anuses here, but they're still not very good. Shawn can't make this story of a poor little rich girl engaging, and combined with his smarmy delivery, it really just comes across as a bad excuse for a come-on. So, yeah. Not completely awful, but definitely not something I'd want to stick my neck out for.
Blond (0) - Genuinely one of the worst songs I’ve ever heard.
Mirwais Ahmadzai (0) - If I could give negative points I absolutely would.
(Wonder if I should've instituted that rule... could we have broken the "lowest score" record at some point? Maybe with that heinous cover of "When a Man Loves a Woman" from last round?)
əʊæ (1) - Clearly the inferior Shawn. And nothing's going to be alright so shut your cunt!
(Is this elimination alright?)
WowWowWowWow (3) - Spoiler alert, Shawn. Everything was not alright. You are a shaggy-haired, dirty liar, and I never want to hear from you again. (Lucky me—that’s exactly what happened!)
iheartpoptarts (1) - I think I’ve just realized that Shawn Mullins and Shawn Colvin are not the same person.
(Sunny came home... and burned down this girl's house while she was asleep.)
K94 (2) - No.
br0dy (0) - Dire.
Empty Shoebox (1) - 'She'd be a whole lot prettier if she smiled once in a while' - Get. Out.
(Silly Shawn! She was smiling, but her smile looks like a frown, so he didn't notice...)
Mike (4.5) - Not heinously awful, but out of all the artists who had one monster radio hit and not a lot else, the success of this one baffles me the most.
(Sometimes, you just fluke into a hit. No weird backstory, just... a guy with one hit.)
berserkboi (10) - How can people dislike the melancholy in this? Hits too close to home?
(Because I can smell the drool and bad whiskey breath from here when he gets into the verses.)
unnameable (10) - Excellent, and appeared on every compilation going.
(Yeah, one thing about adult-alternative hits, they show up EVERYWHERE for years...)
DJHazey (10) - Yaas, had this on a few mixtapes. I know the speak-singing verses are going to get torched by voters, especially those who might be hearing this for the first time, but it's all part of the experience once you've fallen in love with it. Once "Everyyything..." hits, it's lift off. What an uplifting tune.
Mina (3) - I hate the spoken verses.
(Yep. Torched is right.)
PushyBakerFriend (7.5) - The spoken bits veer into creepy territory, but this is pretty interesting.
londonrain (4) - The chorus to this is great but there is just way too much talking in this song, so it feels like lots of waiting each time to get to the chorus. Everywhere I Go and Shimmer are both much better songs.
(Ah, the curse of the one-hit wonder who has way better songs than the one hit. We'll see a few of those in a certain future rate...)
Filippa (3) - Why does he talk when he could sing?
(Insert *wejustdon'tknow.gif* here. - Ed.) Nice chorus.
saviodxl (3.5) - With the exception of the chorus, it sounds like he's trying to rap in a soft-rock song. Just NO!
Rooneyboy (3) - Something to send you to sleep. Job done.
(HA! GOT 'EEM!)
GimmeWork (1) - Yawn! This Lullaby just puts me to sleep from boredom.
CorgiCorgiCorgi (3) - zzz.
(Hey, I guess his lullaby worked!)
Everythiiiiiing is gonna be alright... Well, your chart record ain't.