The Ashley Tisdale Rate.

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Whatcha Waiting For is one of my favourites on Guilty Pleasure! Far better than a bonus track on a Disney sophomore album has any right to be.

True and all of the bonus tracks are pop gold. I mean the title-track is instantly one of my favorite songs ever released by a Disney-queen.
 
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I am back with a vengeance.





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Now to boot off songs that should've been out already.
















25

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Delete You


Average: 6.71
Highest: 10 x 1 (@Lost In Japan.)
Lowest: 2 x 1 (@GhettoPrincess)


Easily one of the most forgettable and basic moments in Guilty Pleasure, Delete You could be categorized as soft pop-rock, perhaps; my only certainty is that it's completely MOR for Ashley. The clichéd pop tale of an enraged girl excluding her boyfriend from her life is placed atop a composition that really never goes anywhere. It's more like Ashley and the producers are giving the fans a moment to breathe after the consecutive bops, but it's just filler. 7 was the most frequent score you lot gave to this (me included, I know it's mediocre but I can't be too harsh on Ashley and the song is still a moderate bop.) Now here's the funny thing: it was written by Diane Warren. Guess those bills have to be paid somehow.

WhenTheSunGoesDown finds it the first "stumble on the album. The autotune doesn’t amuse me as much as in How Do You Love Someone and the chorus isn’t as good as the verses promise. Used to love this, now I’m just fine with it." Stan Gwen Stefani though. Who doesn't mind the work from Warren is tylerc904, who describes it as "A little basic, and very uncharacteristic from Miss Warren. Still pretty solid!". "This was a bit of fun when I first started in with this album, but it quickly lost its power", opines DJHazey, "It's ultimately kind of cliche and a bit too straight-forward with its message. I actually haven't heard it in so long that I had forgotten how it went. I won't 'delete you' but I'm probably not going to 'play you' again for quite some time as nothing was really re-discovered in this experience."

Meanwhile, mat.overboard correlates the breakup theme with commercial success: "Wait, this is Ashley's 21. How wasn't this album bigger?" Adele better cover the entirety of Guilty Pleasure and retitle it as Adelty Pleasure, @Island get on it. Plethorya feels "it wants to go for a glam pop strut à la Pussycat Dolls, but it never fully commits." I don't know about that, I think it's doomed from the start, although I'd love to hear Ashley's spin on Whatcha Think About That. "Destroying everything in sight is fun", supposes iheartpoptarts. constantino makes the second reference to Demi in this rate, I believe, and he'll be banned soon: "I_CANNOT_USE_REAL_WORDS_PROPERLY_ Demi, ha impact."

 
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IT'S ABOUT TIME. ALL OF THE GUILTY PLEASURE BONUS TRACKS SHOULD'VE OUTLASTED THIS PARTY-KILLING, SOMEONE WALKED IN AND LITERALLY CUT THE RECORD RIGHT OFF THE PLAYER, LIKE "HEY MAN, WHY ARE YOU BEING A BUZZKILL?" IT'S FINE, BUT IT'S NOT EVEN CLOSE TO BEING #25 FINE. NOW GET BOP TO THE TOP OUT NEXT, PLEASE!

THANK YOU. XX
 
IT'S ABOUT TIME. ALL OF THE GUILTY PLEASURE BONUS TRACKS SHOULD'VE OUTLASTED THIS PARTY-KILLING, SOMEONE WALKED IN AND LITERALLY CUT THE RECORD RIGHT OFF THE PLAYER, LIKE "HEY MAN, WHY ARE YOU BEING A BUZZKILL?" IT'S FINE, BUT IT'S NOT EVEN CLOSE TO BEING #25 FINE. NOW GET BOP TO THE TOP OUT NEXT, PLEASE!

THANK YOU. XX

I could tell you what the actual party killer on Guilty Pleasure is, but I'm guessing you'd get mad at me!
 
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