I noticed it, it just didn't really affect me as much as going from anytime to Under to BUT to Koi no Mahou to Aishou. And WONDERLAND sandwiched between Anata ga Shite Kureta Koto and FREAKY is kind of crazy too. But I mean, not necessarily in a bad way. None of the tracks get lost when they all sound that different, at least.
Yeah, it's all very hodge podge when it comes to tracklistings on her part. The pinnacle was Bon Voyage when they plastered two interludes one after another. I mean it's a bit hard to blame the people responsible for those atrocities considering the vast amount of genres on one album, but they still could've tried.
It's easy not to notice if you always skip Candle Light, which I highly recommend. JUICY into Cherry Girl =
Red Cherry is definitely the best of the two Won't Be Longs on Black Cherry. At least I got something out of listening to this album again. It was a better experience this time round.
There is something about the Black Cherry version though that makes it a bit of a bop. To me the version with EXILE is the best, because ATSUSHI's vocal bounce back of Kumi's quite nicely.
What? It's the orignal though the original of a cover dddd I mean I even provided a link in the first post.
^Thanks! I never listen to JPop singles before I buy the album (although I'm not always as good as this nowadays) so everything is new to me when I get the album. I guess I kinda forgot about this one!
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