She's been torturing me with this song since Monster Ball and I was mad when this was a single instead of Scheisse. My first Gaga breakdown kii. Guess her hustling helped cause I actually love it nowadays. Still wish she would retire it for her shows. @alenko
What is this am I appreciating ballads what is going on @Ana Raquel
Hi, it’s her best ballad. @collxtion
Apart from the unecessary umlaut that makes me channel Marcia Brady, it's one of her best downtempos. @daninternational
“6 Whole Years” .. her best piano ballad for me. @fresherthanyou
It's not a bad song and I can see why it way released as a single to show off another side of her. But it's also not as good as other tracks on the album @jtm
The Mark Taylor remix is superior of course, but it's a nice track and goes somewhere, it's something. Me likey. Shania is shook of course. What a song, imagine chasing ya lover for 6 years till you finally catch up? And the kii is she ended wrote it for Lüc, met Taylor on the set of this single and we all know what happened after that... @laurence
Queen whomst? A classic rock belter that I usually couldn’t stand if done by any other artist but she pulls it off again. The versatility has jumped out. @Petit nain des Îles
I get the feeling that this isn’t particularly well-loved on the forum, but I’ve always been rather fond of it. While its influence is obvious on her most recent output, this did sound like a genuine change of pace from Gaga at the time. It’s also a bit of a kii that the most (American) GP friendly song from the album got attached to her Jo Calderone persona. Also, the ü is a reference to her ex Lüc, right? @r27
I like this whenever I play it back and it's undeniably rock solid as a song but Jesus. She performed it in a box. She performed it with a fox. She performed it in a house. She performed it with a mouse. She performed it here and there. She performed it fucking everywhere. The soul crushing despair that flooded my system when I found it it had wormed its way onto the artRave setlist. The video, while nice to look at, is also just every spare idea she didn't get to use for other videos chucked into a blender. And she got the D for a few years out of it too, I guess. I can't remember his full name. Taylor... something? How times change. The VMAs were traumatic, but I don't think that really needs verbalised. @RJF
Oh, Stefani… why did you let Mutt Lange get his hands on this and Shania-fy it? (proposed alternate title: You! And I!) I still carry a strong sentiment for the live version though, hence the score. @Seventeen Days
It's certainly easily to sing along to but it's never clicked with me. The strange male harmonies make it sound like it should be on a Shania Twain album. @sfmartin
A previous 11 of mine, but this will serve mid-table at best so basically a waste of an 11. The (glam)rocky sound suits her so damn well, I am glad it was explored more further in her career. But it all began here. @sprockrooster
Probably a 7 but punishment points for the unnecessary umlaut. @stradiwhovius
the Mark Taylor remix is better than the album version, it’d get a 6.5 @sypophantic
As many a forum member has said before, Poo And I. I also hate that this represents permission for her to make an album like Joanne. @untouchable ace
would get a higher score if it was the Mark Taylor Remix. @up n down
I'm all for the Mark Taylor aka Shania banger version. @verandi
It just feels so out of place, production wise. @vitaminbee