The Mitski Discography Rate | winner revealed

What is your favorite Mitski release?

  • Lush

    Votes: 2 6.9%
  • Retired from Sad, New Career in Business

    Votes: 2 6.9%
  • Bury Me at Makeout Creek

    Votes: 5 17.2%
  • Puberty 2

    Votes: 9 31.0%
  • Be the Cowboy

    Votes: 11 37.9%

  • Total voters
    29
she/her
Okay, I had to come back in this thread as I'm still processing what my ears just got blessed with. I finished my listening session with one particular release that was so jarring to hear following the rest of her discography... this Voice Coils EP is fantastic. This dark proggy stuff is totally my catnip, and I was so sad to learn that there isn't more out of this project.
 
I've revisited the extras and finalized (i think?) my rates. My 11 is decided. ":)"

How about the next album, then?

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Alright, we're really getting into it a bitsy now. Left exhausted after finishing up her time at SUNY Purchase while working other assorted jobs, Mitski once again switched it up heavily for her third effort. Perhaps most notably, she picked up guitar and pursued a more rock based instrumentation. Recorded in a more DIY fashion than what came before, Bury Me at Makeout Creek was released on November 11, 2014 by Double Double Whammy (a CD reissue with bonus tracks came in 2015 from Don Giovanni Records).

Not counting some of the extra materials (more on those later, perhaps?) this is the standout left turn in her discography (at least personally). Less fidelity, more noise is the general theme here sound wise. Texas Reznikoff starts off with some pleasant acoustic strumming that while already new territory for her work soon gives way to an absolute wall of sound in the track's latter half. The rest of the tracks aren't too far off from this with Townie, I Don't Smoke, and Drunk Walk Home being delightfully fuzzy in particular. Meanwhile tracks like Carry Me Out and Last Words of a Shooting Star serve a middle ground between the bombast of other album tracks and the earlier more ornate material. There is absolutely a sense of things clicking into place here as this feels somewhat of a blueprint to be iterated on in Puberty 2 and even later with elements of Be the Cowboy.

2014 and 2015 was an exciting time for Mitski and her fans. Beyond the already covered sound shift, this was also an era of many career/discography firsts. After just dropping the previous two albums on bandcamp (and later other streaming services) this is the first time we saw a full album roll out (physical copies and all) from her. There were singles/pre-release tracks in the form of First Love / Late Spring, Townie, I Don't Smoke, and I Will. There were two music video variants (only one of which I was still able to find, unfortunately) for Townie. Most excitingly however, this was when Mitski started playing live shows promoting her material. Bury Me at Makeout Creek is where we really started getting into live representation and varied performances for the material. Every track on here has seen some kind of setlist representation over the years besides Texas Reznikoff and Jobless Monday. We love to see it.

It's hard for me to put into words how I feel about this one to be honest. It's effectively my favorite album of the 2010s if not overall favorite. Most of what I could say feels like it would undersell it. Just stacked from start to finish, classic after classic. Texas Reznikoff, Francis Forever, First Love / Late Spring, I Don't Smoke, I Will, Carry Me Out... all big faves of mine. I don't say this kind of thing lightly but on some level even if it isn't immediately apparent at a glance, I think this album had a huge effect on my life.

Revisiting this at almost 2 am for this write-up obviously had me feeling... whatever led to the above so I'm gonna cut myself off a bit. As usual I'll provide some supplementary visuals (this time the Townie video in addition to some of my fave era track live performances).






Lastly, some discussion questions/prompts. I know y'all have been a bit quiet with the first two albums and I lowkey expected that since some were new to the material but I'm sure a lot have heard from here and on. Get your asses in here xx

What's your favorite (or least favorite) track on the album?
How do you feel about the shift to a more rock instrumentation and lo-fi production?


Just share some thoughts in general. Also let me know how y'all are coming along in your rates. We have time still but I just want to have a general feeling for where we're at.




 
she/her
What's your favorite (or least favorite) track on the album?
I connect with Francis Forever the least, musically speaking, which I kind of feel bad about as it seems to be a fan favorite track.

As for my favorite, I think it's a close call between Townie and Carry Me Out. Actually, I'm going with the former as the lyrics resonate with me A LOT. I could quote the entire song, but

I'm not gonna be what my daddy wants me to be
I wanna be what my body wants me to be

is such a memorable closing line. A statement.

Combine that with the grittiness of the arrangements, and this all makes for such an energy boosting and empowering song. That 90's fuzzy guitar, the sci-fi sounding synth that pops up... Cindy, this is excellence!
How do you feel about the shift to a more rock instrumentation and lo-fi production?
Inject it directly into my veins!
 
He/Him
After some listens of Lush, I can say the middle tracks are a bit too musical theater for me. The vocal styling being a bit too much, the music being a bit too little at times. During the experience I find myself being all a little
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Brand New City was a nice surprise though it does sound quite out of place with the album being generally quiet and all.

Hopefully I find more love for Retired from Sad! I'll listen next.
 
Happy to report back after spending some time with Bury Me that, due to its muffled, heavier sound, I found it insanely listenable with numerous highlights, especially Carry Me Out, Francis Forever, and Drunk Walk Home. I also got the impetus to go back through Lush and Retired to bump the scores a tad.

I might just post the averages once I'm done with the last 2 albums. Perched to revisit Puberty, since I remember loving at least half of the songs on first listen.
 
I really, honestly, genuinely want to do this, and I'm going to do my utmost to swot up on everything I'm not familiar with and get a ballot together in time, but I can't lie, Christmas/December has been, uh.

Yeah.

An extension is definitely looking like a probability at this point so keep me updated as to your progress.

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Hello, little losing dogs. Happy new year! Here's to 2021 being a... better year than 2020. Sorry, I'm not sure what else to say at this point.

Gonna shift gears a bit here and I'll write about the extras as a collective for this post. (Mainly because I'm feeling a bit lethargic and wouldn't do one of the albums justice.)

Let's get to it?

I sorted our extras into four blocks (five if you include Cop Car which didn't fit anywhere else but that's not much of a section on its own). Our first two segments got their own bits even if they fit elsewhere as they each have a full release/EP. After that it's split into covers and collaborations. Basically typical PJ rate stuff.

First up was Mitski's first (and only) collaboration with M. Roosevelt, appropriately titled M. Roosevelt & Mitski. Released in 2013, the effort gave us two tracks (one is a cover of Kavinsky's Nightcall) of noisey goodness. Similarly to tracks on Lush and Retired from Sad... this can be seen as a foreshadowing of sorts of what was to come with Mitski's later material. I actually wasn't aware of this until a year or two ago. I'd thought I'd known of/consumed all that Mitski had to offer in terms of released content but one day the Nightcall cover showed up on my Tumblr dash (...the self expose). As a Mitski stan plus a fan of that track and Drive as a film, I was clearly slayed. This is probably the closest of the extras (at least the ones not released directly under Mitski's name only) in sound to the rest of the rate material. It seems that in the time since this single released, M. Roosevelt has released an assortment of other things also. Maybe worth a look some time.

Keeping with the theme of collaborative works with full projects released, there's also Voice Coils. Featuring vocals and songwriting contributions from Mitski, the sole Voice Coils EP titled Heaven's Sense released in 2015. I'm gonna be honest here and say I'm not 100% sure as to what the context behind this band's formation was and so forth. I assume this project was formed with people Mitski knew from SUNY or at least met around that time period due to the time of the releases but there's not a ton of information out there. Seeing as the project never released anything further, I guess this will always be a bit of a footnote for most random listeners. Sonically this is probably the most standout material in the rate. Not really sure how to get into the genres but this is definitely a bit more ~avant garde than some of the other things here. I fear it will really be in for it when it comes time to be getting into the eliminations. I get it but please try to give it at least a second try ddddddd.

Next up we have the covers. For this section I chose three of her covers that have seen actual recordings. The cover of One Direction's Fireproof was released as part of the Our First 100 Days compilation in addition to the Japanese CD release of Puberty 2 (along with our next cover). Her rendition of Frank Sinatra's I'm a Fool to Want You was released on aforementioned versions of Puberty 2 but also as part of 7 Inches for Planned Parenthood compilation. Last but not least we have a cover of Bleachers' Let's Get Married which was released as part of the band's third covers compilation Terrible Thrills Vol. 3. Our host is particularly fond of the fuzziness of Fireproof even as someone lukewarm to One Direction.

Last but not least we have the collaborations. Some of the stuff talked about were collabs as mentioned but these are the one and done/single track efforts. Our first one is Wait which was made with Ryan Hemsworth and Keaton Henson. The nice little slice of Indietronica/Art Pop goodness released in 2016 as part of an Adult Swim singles series which I guess exists? Next up is host dream collab material, Between the Breaths with Xiu Xiu. This one was released as part of the soundtrack for tragically titled film, How to Talk to Girls at Parties. Anyways... this was one of the songs that stood out to me as more PJ friendly than a lot of extras or even main section tracks. Once you get past the more abrasive elements and the spoken word passages, this is one of the boppier Mitski tracks for a lack of better word. I hope it does well. Susie Save Your Love is our last cover to go over. Made in collaboration with PJ fave and also ongoing rate artist Allie X, this is also the most recent of any of Mitski's material. If you like it and enjoy Allie X enough as an artist make sure to go support in in that rate also xx.

Finally, without wanting to be seen as negligent or anti-Cop Car let me draw attention to that. Our single straggler in the extras that doesn't fit in any of the other categories. This is really the only cute little single in Mitski's solo discography. Originally appearing in live solo sets as far back as the Bury Me at Makeout Creek era, the actual recorded song didn't surface until early 2020 as the soundtrack for The Turning. Let me just say.. whew, what a soundtrack. They literally don't make them like that anymore. Too bad about the film. Anyways, that's about it with this one. It had been a bit since we were fed new content from Mitski and seeing as she is currently on a hiatus of sorts I'm glad we got this track among the other little bits we've received.

Kinda rambling aimlessly more than usual with this post but I blame new years eve/2020 as a whole. I'll as always, cap off the post with some supplemental visuals or audio.



This one is my actual favorite Mitski cover. Unfortunately it never saw an official recording so it couldn't be included in the rate but it can't stop me from sharing it here xx



A cover of Happy Birthday was released on flexidisc and released as a birthday promotion through the Keep in Touch release series by Father/Daughter Records. Seeing as this is an actual recording, I debated including it but it felt like early elimination fodder and more of an oddity I could highlight at some point.



Once again, happy new year everyone! Let me know how y'all are doing. December went faster than I had already expected.
 
Been feeling sad the last few days, so perfect time to finalise my scores.
No negativity from me on this rate, thank you:

Lush 9.22
Retired from Sad, New Career in Business 7.55
Bury Me at Makeout Creek 8.80
Puberty 2 9.00
Be the Cowboy 8.14
+
Voice Coils - Heavens Sense EP 8.625
 
I did vaguely think about doing this but am quickly running out of time... I only know Puberty 2 and Be The Cowboy so I would have to dive in suddenly and deeply tomorrow!! Maybe I will...! Anyway, of those two albums, my 11 would definitely be "My Body's Made of Crushed Little Stars" which is absolutely amazing and has become one of my COVID-19/lockdown anthems.
 
Will be getting a post on Puberty 2 and maybe some last minute taggings out within a day or so. Judging by the amount of people who are interested vs the ballots in my spreadsheet/inbox, I assume we might be looking at an extension but we'll see. Let me know how y'all are doing.
 
I don't think i'll end up voting in this sorry! I've been making my way through her discography and out of respect for actual fans of her music I think I should sit this one out because I don't think my scores would do her justice. I'll be following along though.
 

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