Top of the Pops BBC4

What happened to Jimmy Nail? He was doing Spender at this point, and then did Crocodile Shoes (giving him a further hit). Evita should have elevated him to superstar status, but instead he seemed to all-but disappear.
 
No. That's Being Boring.
As much as I love the "Electronic" album from 1991 - I also enjoyed "Raise the pressure" from 1996. Even though upon release it sounded very 1992 and dated - it has aged very well for me. In 1996 everyone was into Britpop but I loved "Raise the pressure" because it reminded me of 1992 Euro/House/Techno pop. It's my ideal clubbing Music alongside Dead or Alive's "Youthquake" from 1985!
 
The Shamen really did feel like something had happened which the mainstream were struggling to catch up with – they were so shameless and really didn't care what anyone thought, and they cut through all the dreadful, faceless dance acts that have been cluttering up TOTP and gave the whole scene a bit of a knowing wink.

Was LSI a drug reference too that I’ve been totally innocent about and oblivious to for 30 years? I recall having “E’s are good” pointed out to me a few weeks or months after it was number 1, but it occurred to me that I may have been a bit naive about their previous hit too. Or is it really just love, sex, intelligence?
 
What happened to Jimmy Nail? He was doing Spender at this point, and then did Crocodile Shoes (giving him a further hit). Evita should have elevated him to superstar status, but instead he seemed to all-but disappear.

Yeah it's strange how it goes, he was so big in the mid-90s....of course after Crocodile Shoes II he did a Best Of (the wonderfully named The Nail File) but his profile dropped almost overnight. Maybe he wanted it that way, maybe his book explains it (could be demons at play).
 
Tis a good album actually, though nothing as bop-tastic as Ain't No Doubt. Was very surprised EastWest couldn't get at least one more Top 40 hit out of the era.
I remember seeing his follow up single 'Laura' on The Chart Show as an exclusive. I guess people expected something equally quirky as 'Ain't No Doubt' and it wasn't so missed the top 40. But as you say, the corresponding album is fairly decent.
 
It's interesting that Sophie B Hawkins had featured as a TOTP exclusive a couple of weeks before she charted, despite being unknown in the UK at that point and with no previous hits. Usually exclusives come from established acts. I wonder if she was predicted to be a huge star here so was worth the satellite link and then to fly over to London for this performance.
 
It's interesting that Sophie B Hawkins had featured as a TOTP exclusive a couple of weeks before she charted, despite being unknown in the UK at that point and with no previous hits. Usually exclusives come from established acts. I wonder if she was predicted to be a huge star here so was worth the satellite link and then to fly over to London for this performance.

She was probably getting a decent amount of radio play by that point so it seemed like a safe bet to put her on.
 
It's interesting that Sophie B Hawkins had featured as a TOTP exclusive a couple of weeks before she charted, despite being unknown in the UK at that point and with no previous hits. Usually exclusives come from established acts. I wonder if she was predicted to be a huge star here so was worth the satellite link and then to fly over to London for this performance.

Columbia/Sony's pulling power, I expect. Plus the US success suggested she was going to repeat it here.

Best single of 1992 for me, but it never quite took off as I hoped.
 
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