Contentious but is Disappointed the peak of the imperial phase?
No. That's Being Boring.
Contentious but is Disappointed the peak of the imperial phase?
Ain’t No Doubt is just a great pop song, the only thing that ever really turned me off was the Soul II Soul beat being used three years out of time, but I still admire it now.
Agreed, couldn’t even tell you what they were.And then nobody else bought any of the other singles off the album.
Agreed, couldn’t even tell you what they were.
As much as I love the "Electronic" album from 1991 - I also enjoyed "Raise the pressure" from 1996. Even though upon release it sounded very 1992 and dated - it has aged very well for me. In 1996 everyone was into Britpop but I loved "Raise the pressure" because it reminded me of 1992 Euro/House/Techno pop. It's my ideal clubbing Music alongside Dead or Alive's "Youthquake" from 1985!No. That's Being Boring.
The Shamen really did feel like something had happened which the mainstream were struggling to catch up with – they were so shameless and really didn't care what anyone thought, and they cut through all the dreadful, faceless dance acts that have been cluttering up TOTP and gave the whole scene a bit of a knowing wink.
Of topic and I DO apologise, but just gotta say how much I am loving your avatar. Naturally.The best Jimmy Nail moment for me was the song Paddy McAloon wrote for him....Cowboy Dreams anyone?
What happened to Jimmy Nail? He was doing Spender at this point, and then did Crocodile Shoes (giving him a further hit). Evita should have elevated him to superstar status, but instead he seemed to all-but disappear.
I remember seeing his follow up single 'Laura' on The Chart Show as an exclusive. I guess people expected something equally quirky as 'Ain't No Doubt' and it wasn't so missed the top 40. But as you say, the corresponding album is fairly decent.Tis a good album actually, though nothing as bop-tastic as Ain't No Doubt. Was very surprised EastWest couldn't get at least one more Top 40 hit out of the era.
It's interesting that Sophie B Hawkins had featured as a TOTP exclusive a couple of weeks before she charted, despite being unknown in the UK at that point and with no previous hits. Usually exclusives come from established acts. I wonder if she was predicted to be a huge star here so was worth the satellite link and then to fly over to London for this performance.
I remember seeing his follow up single 'Laura' on The Chart Show as an exclusive. I guess people expected something equally quirky as 'Ain't No Doubt' and it wasn't so missed the top 40. But as you say, the corresponding album is fairly decent.
It's interesting that Sophie B Hawkins had featured as a TOTP exclusive a couple of weeks before she charted, despite being unknown in the UK at that point and with no previous hits. Usually exclusives come from established acts. I wonder if she was predicted to be a huge star here so was worth the satellite link and then to fly over to London for this performance.
Columbia/Sony's pulling power, I expect. Plus the US success suggested she was going to repeat it here.
Best single of 1992 for me, but it never quite took off as I hoped.
The missing link between Jimmy Nail and Nick Heyward - did Jimmy cover Nick or was it a completely different song?Laura was completely the wrong choice. Killed the campaign.
Thank you!Of topic and I DO apologise, but just gotta say how much I am loving your avatar. Naturally.
The missing link between Jimmy Nail and Nick Heyward - did Jimmy cover Nick or was it a completely different song?