Wow, all the way to number 5! Glad to see it. A little while ago I was going through a phase of doing some Sugababes deep dive stuff and when I came to looking at Freak Like Me, it is such a potent combination of secret ingredients. Keisha and Mutya were what, 16/17 when Siobhan left the band and they got dropped? They could have gone back to school, really, the incentive to carry on was surely just ambition and fumes at that point. Heidi had been knocked back so many times already, ditching Atomic Kitten before it got going, having a solo career not materialise... again, could have gone and got a day job and left the dream to wither but carried on. So they had that underdog thing going for them. Richard X combining a '90s R&B track that made very little waves in the UK and a '70s synth-pop hit, guaranteeing that anyone familiar with one original song probably wouldn't have been familiar with the other one, so for all intents and purposes it was new but familiar to someone with an encyclopaedic knowledge of music.
The Adina Howard aspect tied in with much of the R&B leanings of their first album, and channeled that underground-turned-mainstream success that was linked with the UK Garage movement through that mash up of those two songs. I think it would be much harder to recapture that kind of energy in the streaming, Shazam era where you could probably suss out the origins of a mash up quickly but back in the day it was fascinating to learn how the track came to be. The music video matches the energy of the song, it's giving warehouse rave. The kind of underground, exciting mystery that the song's built on. I think it's a fair comment to say between Atomic Kitten (Overload/Whole Again), Girls Aloud (Round Round/Sound of the Underground) and Misteeq (Freak Like Me/Scandalous), they had all the other pop groups of the day trying to keep up with their visuals. And, I think, you can credit Freak Like Me for earning them that BRIT award win for Best Dance Act seeing as they performed it live the same night.